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Considered to be the first photograph of a woman smoking, this is Lola Montez’s portrait by Southworth & Hawes.

A savvy self-promoter, Lola Montez is the first woman ever to be photographed smoking. She made sure the cigarette is the focus of the picture. (Metropolitan Museum of Art)
This is Lola’s third and most provocative and widely recognized daguerreotype, the image of her smoking. In Boston in 1852, she was welcomed to the daguerreotype studio of Southworth and Hawes. The pair captured daguerreotypes of key intellectual and artistic personalities, thus, Lola’s appointment in their studio was a clear signal of her status as a celebrity. The most well known of their daguerreotypes from this sitting shows Lola standing and resting her arms on a fabric covered table. Her wrists are crossed, a gesture of elegance, but she holds a cigarette between her gloved fingers, a particularly controversial detail given that it was not proper for women to smoke in public, let alone be photographed participating in such a gentlemanly activity.
Her facial expression in the portrait is one of indifference and hardness, her cocked head and her arched eyebrows creating a sense of intrigue. Her sharp facial features are softened slightly by her dark brown ringlets on either side of her face and her lace scarf. This intricate lace ornamental fabric around her collar contrasts starkly with her dark overcoat, and the lace and the cigarette are the two brightest whites in the image, drawing the eye to these contrasting symbols of femininity and hardness. The two patterned fabrics, the large floral decoration on her skirt and the plaid fabric on which she rests her hands serve also to represent soft femininity and stiffness, respectively. Her fashionable clothing and hairstyle give her the sense of being genteel and respectable, but this impression is countered by her brazen depiction of herself as an uninhibited smoker.

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