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Marilyn Monroe’s unfinished film “Something’s Got to Give” remains an enigmatic piece of Hollywood history. The 1962 romantic comedy was intended to be Monroe’s comeback after a brief hiatus from the film industry, following her successful performance in “The Misfits” (1961). Directed by George Cukor, the film also starred Dean Martin and Cyd Charisse. However, the production faced numerous challenges and ultimately, Monroe’s untimely death left the project incomplete, adding a layer of tragic intrigue to its legacy.

The story revolves around the character Ellen Wagstaff Arden, played by Monroe, who is presumed dead after being lost at sea for five years. Upon her return, she discovers that her husband Nick (Dean Martin) has remarried, creating a comedic yet emotionally charged premise. The screenplay, written by Arnold Schulman and Nunnally Johnson, was adapted from the 1940 film “My Favorite Wife” starring Irene Dunne and Cary Grant. Despite the film’s lighthearted nature, the behind-the-scenes turmoil marred its development.

Monroe’s personal struggles, including chronic illnesses and dependency on prescription drugs, significantly impacted her ability to attend filming consistently. Reports of her erratic behavior and frequent absences from the set led to production delays and escalating tensions among the cast and crew. Director George Cukor, known for his meticulous approach, found it increasingly difficult to manage the situation. In June 1962, Monroe was fired from the project, though she was later rehired following negotiations.

Despite Monroe’s firing and subsequent rehiring, the film’s troubles persisted. The production shutdown, combined with Monroe’s unexpected death in August 1962, meant that “Something’s Got to Give” would never be completed. Only 37 minutes of the original footage exist, offering a glimpse into what could have been a successful film. These scenes, however, showcase Monroe’s undeniable charm and talent, highlighting the potential of the unfinished project.

In 1990, a reconstruction of the film was attempted using the existing footage, combined with additional materials, to create a more coherent narrative. This effort allowed audiences to appreciate Monroe’s performance and understand the film’s intended storyline. Despite its incomplete state, “Something’s Got to Give” serves as a poignant reminder of Monroe’s enduring legacy and the challenges she faced during her career.

Ultimately, “Something’s Got to Give” stands as a testament to the complexities of Hollywood and the pressures faced by its stars. Monroe’s involvement in the film, coupled with her untimely death, has cemented its place in cinematic history as a symbol of unfulfilled potential. The fragments of the movie that remain continue to captivate audiences, providing a haunting glimpse into the final moments of one of Hollywood’s most iconic figures.

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