35 Beautiful Color Photographs of Lucille Ball and Desi Arnaz in the 1950s

Model and comedienne Lucille Ball, 28, met Cuban bandleader Desi Arnaz, 23, in 1940 while filming Too Many Girls. They fell for one another instantly and eloped later that year. From the start, friends say Lucy doted on Desi, eager to make him happy. If he wanted something, she’d get it. If they sat down together and he needed more space, she’d scoot over. “I found it surprising because she was such a strong, independent lady, but when it came to Desi, she was very old-fashioned,” friend and actress Ruta Lee told Closer.

In 1951, they debuted the hit television series I Love Lucy, starring as the zany middle-class couple Lucy and Ricky Ricardo. With near-perfect timing and a genius for ad-libbing, the red-haired Ball cruised through 179 episodes. The duo also founded Desilu Productions in 1950, a successful independent television production company. Ball and Arnaz divorced in 1960, ending one of television’s greatest marriages, though they remained friends until his death in 1986.

74 Historic Photos Of British Women At Work During World War I

During The Great War, many women were recruited into many departments and military services for different kinds of jobs. Some of these jobs were vacated by men who had gone to fight in the war. New jobs were also created as part of the war effort, for example, in munitions factories. Over 400 women died by the end of the war due to poor working conditions and inadequate safety equipment. The high demand for weapons resulted in the munitions factories becoming the largest single employer of women during 1918. Though there was initial resistance to hiring women for what was seen as ‘men’s work,’ the introduction of conscription in 1916 made the need for women workers urgent. Around this time, the government began coordinating the employment of women through campaigns and recruitment drives. British women took on jobs in munitions factories, drove ambulances, helped to keep the fledgling Royal Air Force in the sky, and gave succor to wounded soldiers, both at home and on the battlefield. Below, a compiled list of historical photos that show British women at work during World War I.

950,000 female workers were employed in British factories, including this worker, pictured making shell cases in a Vickers factory in January 1915 .
Women employed in the transport industry increased by 555 per cent during the war, and included this pair of female porters at Marylebone Station in 1915.
Women even took on tough, physical roles such as moving rubble, as seen in this photograph taken in Coventry during 1917.
Women operating radial drilling machines, drilling holes in girders
View of canteen at munitions factory
Women stacking wood
W.R.N.S. fitting a mine
Women testing a mine with air presssure
British woman winding cotton from spools on to rollers at lace factory in Nottingham
British women in Nottingham tannery drawing skins from the lime pit
British women painting planes at aeroplane factory near Birmingham
British women working in chemical laboratory near Manchester
British women rubber workers in Lancashire making mouth-pieces for gas masks
British women rubber workers in Lancashire forming the foundation for the tread
Women war workers, including the distinctively white-capped and aproned VAD nurses, parade outside Buckingham Palace in 1918.
Members of the Women’s Royal Air Force arrive at Buckingham Palace, London, to attend a party for war workers in 1919.
Female ambulance workers, such as this group photographed in November 1915, served both at home and on the front line.
While some women became nurses, others worked in hospital workshops, such as this one at the Kensington War Hospital, making prosthetic limbs.
400 women died in munitions factories, between 1914 (when this image was taken) and 1918, when the war ended.
Exposure to toxic sulphur left many workers with yellowed skin, while others were killed in explosions. One 1917 incident killed 73 and flattened 900 homes.
Despite being paid less than their male counterparts, many of the female munitionettes undertook dangerous and fiddly work.
Members of the Women’s Fire Brigade with their Chief Officer photographed in their uniforms beside an extinguished fire in March 1916.
Members of the Women’s Fire Brigade are put through their paces during a fire drill with hoses and extinguishers at full force in March 1916.
A member of the Women Porters At Marylebone Station Group, pictured in 1914 giving a Great Central Railways carriage a thorough clean.
As this 1917 photograph shows, female war workers didn’t just run trains and buses – they fixed and maintained them too.
As part of the war effort, old paper had to be reused. These women are pulling apart old ledgers belonging to the London & South West Railway.
The paper, as this photo taken on the 16th April 1917 shows, then had to be sorted into piles and stored.
General view of brass fittings shop
Women inspecting motor engine parts
Women loading nitrate of soda into a skip
Women straightening and bending steel girder
Women painting steel work
Women copper banding t60 pdr shrapnel
Women taping planes
Women in charge of electric motor
Women wheeling away earth excavated for the installation of hydraulic pumps
Woman driving O.E.T. crane
Women operating radial drills, drilling valve covers and strainer plates for weed boxes for marine engines
Women stacking wood
Women cleaning windows
Woman acting as helper at punching and shearing machine
Women transporting rough castings to the General Store
Women engaged in labouring work in dressing shop
Woman are with cores for ingot mould
Woman at battery drills, drilling angles and T bars for ribs of airship sheds
Woman operating vertical drilling machines, drilling angles for connections to ribs of airship sheds
Women operating circular saw, cutting steel bar
Woman operating a Sunderland gear planer, gear cutting
Woman driving 20 ton O.E.T. crane
Women inserting and packing tubes in condensors for marine engines
Women machining Admiralty electrical fittings
General view of women engaged on small parts for boilers and condensors.
Workers preparing for the construction of concrete ships
Railway workers cleaning carriages
Railway workers unloading goods from train
Women railway workers painting and decorating
Mine net workers wiring the floats together
W.R.N.S. instructor at respirator and mask drill for military recruits
Railway worker pulling signal box levers
Window cleaners
Girl operating stitching machine in Leicestershire boot factory
British women moulding and finishing stoneware taps at terra cotta works in Leicestershire
British women working in lace factory in Nottingham
British women working in tannery in Nottingham
British women cleaning locomotive in Midlands
British women in glass factory cutting shop near Birmingham
British women in glass factory near Birmingham
British woman splicing airplane joints in aeroplane factory near Birmingham
Chemical works near Manchester – British women chemical workers in the Midlands
British women chemical workers in the Midlands taking limestone from stock, loading and wheeling barrows of lime to wagons
British rubber workers in Lancashire spreading machine for coaling canvas for tire making
British women rubber workers in Lancashire fixing studded tires
British women asbestos workers in factory in Lancashire
British women oil workers in Lancashire moulding cakes

61 Beautifully Colorized Photos of Jean Harlow during the 1930s

Jean Harlow (born Harlean Harlow Carpenter; March 3, 1911 – June 7, 1937) was an American actress and sex symbol. Often nicknamed the “Blonde Bombshell” and the “Platinum Blonde”, she was popular for her “Laughing Vamp” screen persona. Harlow was in the film industry for only nine years, but she became one of Hollywood’s biggest movie stars, whose image in the public eye has endured. In 1999, the American Film Institute ranked Harlow No. 22 on their greatest female screen legends of classical Hollywood cinema list.

Harlow was first signed by business magnate Howard Hughes, who directed her first major role in Hell’s Angels (1930). After a series of critically failed films, and Hughes’ lost interest in her career, Metro-Goldwyn-Mayer bought out Harlow’s contract in 1932 and cast her in leading roles in a string of hits built on her comedic talent: Red-Headed Woman (1932), Red Dust (1932), Dinner at Eight (1933), Reckless (1935) and Suzy (1936). Harlow’s popularity rivaled and then surpassed that of MGM’s top leading ladies Joan Crawford and Norma Shearer. She died at the age of 26 of kidney failure while filming Saratoga. MGM completed the film with the use of body doubles and released it less than two months after her death; it became MGM’s most successful film of 1937, as well as the highest-grossing film of her career.

Jean Harlow 1930 Photo by C.S. Bull
Jean Harlow

44 Remarkable Photographs of James Dean in 1955

When Dennis Stock attended a screening of James Dean’s first film, East of Eden, he knew he wanted to photograph him. He sensed that this charismatic young actor would soon join Marlon Brando and Paul Newman as one of the major film stars of his generation. Stock, who had met Dean at a Hollywood party in January 1955, asked him to be the subject of a photo essay. Dean, who was not yet famous, readily accepted the invitation. Stock then approached LIFE magazine with the idea and within a week the assignment was agreed. It took two months to complete.

At the time, Stock was a 26-year-old photojournalist. He had joined the Magnum agency in 1951 and became a full member in 1954. From the beginning of his career he had been mainly interested in producing a sequence of images that told a story about a given subject. In his photographs of Dean, he aimed to show a young movie star in both his professional and personal life.

The first part of the assignment involved taking Dean back to his home town of Fairmount, Indiana. “For Jimmy, it was going home,” Stock later wrote, “but it was also the realization that the meteoric rise to fame had already begun to cut him off forever from his small-town Midwestern origins, and that he could never really go home again. Still, in those bitter-cold late winter days, as Jimmy and I roamed the town and farm and fields of Fairmount, visiting family and friends, I came to know, or at least to glimpse, the real James Dean.”

Stock’s photographs showed Dean in various locations: at home with family members, in a classroom at his old school and in a pigsty at his uncle’s farm. In one bizarre sequence, Dean was shown posing in an open coffin at a local funeral parlor. The pictures were intended to be darkly amusing but now seem strangely prophetic; seven months later, Dean was dead.

The rest of the assignment included images of Dean in New York, then in rehearsal and on film sets in California. Away from his home environment, Dean became unpredictable. “The moment we hit New York he started seeing old friends and ending up in bars for hours on end,” Stock later said. “He became an insomniac and very hard to work with, often not turning up at appointments. But I knew where to find him. I was simply tenacious.”

James Dean and his young cousin Markie play with a model car, Indiana, Fairmount, 1955.
Playing drums in the presence of Markie, 1955.
James DEAN signs autographs during Sweethearts Ball at his old high school, Fairmount, Indiana, 1955.
In 1955 James Dean returned to his roots, the town of Fairmount, Indiana, where he was raised and educated. He visits the farm of his uncle Marcus Winslow, and in the dining room reads some poetry by James Whitcomb Riley.
James Dean posing amusingly in a casket in a funeral parlour, seven months before he died, Fairmount, Indiana, 1955.
James Dean posing amusingly in a casket in a funeral parlour, seven months before he died, Fairmount, Indiana, 1955.
A little girl shows James Dean a pheasant head, 1955.
James Dean, 1955.
James Dean flying back to California for the shooting of “Rebel Without a Cause,” 1955
James Dean at Lee Strasberg’s Actor’s Studio, New York City, 1955.
James Dean at Lee Strasberg’s Actor’s Studio, New York City, 1955.
James Dean pushing his cousin Markie in his soap box derby racer in the yard, Fairmount, Indiana, 1955.
James Dean in the old school house, Fairmount, Indiana, 1955.
James Dean in midtown, New York City, 1955.
James Dean in New York City, 1955.
James Dean in New York City, 1955.
James Dean with Geraldine Page at a bar, New York City, 1955.
James Dean in Fairmount, Indiana, 1955.
James Dean in his apartment on West 68th Street, New York City, 1955.
James Dean in New York City, 1955.
James Dean with Eartha Kitt, New York City, 1955.
James Dean with his cousin Markie, Fairmount, Indiana, 1955.
James Dean in the office of his agent, Jane Deacy, New York City, 1955.
James Dean in Geraldine Page’s dressing room, New York City, 1955.
James Dean talking to the locals, Fairmount, Indiana, 1955.
James Dean in New York City, 1955
James Dean in his aunt and uncle’s basement, Fairmont, Indiana, 1955.
James Dean and director Nicholas Ray during the filming of “Rebel Without a Cause,” California, 1955.
James Dean during the filming of “Rebel Without a Cause,” California, 1955.
James Dean spent his youth on the farm of his uncle Marcus Winslow, where he loved to mix with the animals in the barnyard, to explore and perform in the cattle pens and barns, Fairmount, Indiana, 1955.
James Dean in Fairmount, Indiana. 1955.
James Dean in Fairmount, Indiana. 1955.
James Dean during the filming of “Rebel Without a Cause,” California, 1955.
James Dean during the filming of “Rebel Without a Cause,” California, 1955.
James Dean, 1955.
James Dean in his former schoolroom, Fairmount, Indiana, 1955.
James Dean in Manhattan, visiting some of the places he knew when he was a student, New York City, 1955.
James Dean playing bongos at the Sweethearts’ Ball at his old high school, Fairmount, Indiana, February 14, 1955.
James Dean with cattle, Fairmount, Indiana, 1955.
James Dean attending a dance class by katherine Dunham, 1955.
James Dean amongst the cattle, 1955.
James Dean Discussing old racing, 1955.
James Dean in the driveway to the farm owned by his uncle, Marcus Winslow in Fairmount, Indiana, 1955.
James Dean acting with Ronald Reagan in a TV drama, 1955.

(Photos © Dennis Stock/Magnum Photos)

Musicians of the Jazz Age

The 1920s saw the rise of jazz as a major musical genre. Jazz emerged from the musical traditions primarily of African Americans in the southern United States and largely depends on the virtuosity of instrumental solosits. The “Roaring 20s” brought in some of the biggest names in the history of jazz music.

Edythe Turnham and her Knights of Syncopation, 1925.
King Oliver’s Creole Jazz Band, Chicago, 1923
King Oliver’s jazz band, 1920
St. Louis Cotton Club Band
Cab Calloway at the Cotton Club. Harlem, New York. 1920.
The King & Carter Jazzing Orchestra, 1921
Sidney Bechet
Louis Armstrong and his Hot Five band, 1920’s.
Ma Rainey poses for a studio group shot with her Georgia Jazz Band in 1924
Ethel Waters
Duke Ellington and his band, 1920
Jelly Roll Morton
James P Johnson
Louis Armstrong and King Oliver
King Oliver’s Creole Jazz Band, 1923.
Bessie Smith
Carter and King Jazzing Orchestra in 1921
Fats Waller
Willy “The Lion” Smith
Duke Ellington
Louis Armstrong and his Hot Five band, 1920’s.

40 Gorgeous Vintage Photographs of Actress Joan Blondell During the 1930s & 1940s

Few actresses, save maybe Miriam Hopkins or Kay Francis, are more closely associated with the era of pre-Code Hollywood than playful but tough-as-nails Joan Blondell.

She was born Rose Joan Blondell in New York City in 1906. Joan was part of a vaudeville family and spent most of her young life traversing the country and around the world. She placed fourth in the Miss America contest in 1926, and soon embarked on a Broadway career.

In 1930 she joined the play Penny Arcade, costarring with James Cagney. It had a short run, but actor Al Jolson bought the rights to the play and sold them to Warner Brothers with the explicit guarantee that they would bring Cagney and Blondell across the country to reprise their roles.

Filmed as Sinner’s Holiday, the movie didn’t leave much of an impression. However, Blondell’s wiseacre attitude and hardworking sensibility soon made her the most popular actress on the Warner’s lot. She was one of the studio’s leading ladies, playing opposite of the likes of Cagney, William Powell, Lyle Talbot, and Warren William.

Several films, such as Havana Widows, teamed her up with comedienne Glenda Farrell, and she was also a favorite in the musicals of Busby Berkeley, where her performance of “Remember My Forgotten Man” is one of the most well-remembered numbers of the era.

She’d made nearly 40 films by the end of the pre-Code era, and continued to work at Warner Brothers through the end of the decade. Blondell had a long career in Hollywood, transitioning into character roles as newer starlets pushed her further from the limelight. These ranged from the noteworthy– like the wonderful A Tree Grows in Brooklyn– to the inexplicable– like Elvis’ Stay Away Joe or legendary disaster The Phynx.

She got a Best Actress Academy Award in 1951 for The Blue Veil and continued to work steadily into the late 1970s. She made one last bow in 1978’s Grease before passing away from leukemia in 1979.

“Just Married!” – 17 Amazing Wedding Cars From the Past

A wedding car in 1966
A Ford Super Deluxe convertible with a 1949 Virginia license plate.
1967 Jaguar XKE
Just Married – A wedding car in Lawton, Oklahoma. April, 1958
A newlywed couple admires their post-wedding car in 1956.
Wedding car in Phoenix, Arizona, 1959.
Sucker. April 1953.
“First Stop”
Bride and groom driving off in an early seventies Triumph 1300.
Wedding car decorated, ca. 1960s
Lincoln Premiere – Wedding car scene, 1958
ca. 1950s
Mercury wedding car, 1948
‘Aisle Alter Hymn’, wedding car, ca. 1940s.
Wedding car, 1970s
1921 Dodge wedding car
A wedding in Worthington, Ohio in 1948.

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