20 Amazing Photos Showing the Notre Dame Cathedral in Paris During the 1800s

Notre-Dame de Paris, referred to simply as Notre-Dame, is a medieval Catholic cathedral on the Île de la Cité in the 4th arrondissement of Paris. The cathedral was consecrated to the Virgin Mary and considered to be one of the finest examples of French Gothic architecture. Its pioneering use of the rib vault and flying buttress, its enormous and colourful rose windows, as well as the naturalism and abundance of its sculptural decoration set it apart from the earlier Romanesque style. Major components that make Notre Dame stand out include its large historic organ and its immense church bells.

The cathedral’s construction began in 1163 under Bishop Maurice de Sully and was largely complete by 1260, though it was modified frequently in the following centuries. In the 1790s, Notre-Dame suffered desecration during the French Revolution; much of its religious imagery was damaged or destroyed. In the 19th century, the cathedral was the site of the coronation of Napoleon I and the funerals of many presidents of the French Republic.

Popular interest in the cathedral blossomed soon after the 1831 publication of Victor Hugo’s novel Notre-Dame de Paris (better known in English as The Hunchback of Notre-Dame). This led to a major restoration project between 1844 and 1864, supervised by Eugène Viollet-le-Duc. The Allied liberation of Paris in 1944 was celebrated within Notre-Dame with the singing of the Magnificat. Beginning in 1963, the cathedral’s façade was cleaned of centuries of soot and grime. Another cleaning and restoration project was carried out between 1991 and 2000.

The cathedral is one of the most widely recognized symbols of the city of Paris and the French nation. As the cathedral of the Archdiocese of Paris, Notre-Dame contains the cathedra of the archbishop of Paris (Michel Aupetit). In 1805, Notre-Dame was given the honorary status of a minor basilica. Approximately 12 million people visit Notre-Dame annually, making it the most visited monument in Paris. The cathedral was renowned for its Lent sermons, founded by the Dominican Jean-Baptiste Henri Lacordaire in the 1830s. In recent years, an increasing number have been given by leading public figures and state-employed academics.

The cathedral has been progressively stripped of its original decoration and works of art. Several noteworthy examples of Gothic, Baroque, and 19th-century sculptures and a group of 17th- and early 18th-century altarpieces remain in the cathedral’s collection. Some of the most important relics in Christendom, including the Crown of Thorns, a sliver of the true cross and a nail from the true cross, are preserved at Notre-Dame.

While undergoing renovation and restoration, the roof of Notre-Dame caught fire on the evening of 15 April 2019. Burning for around 15 hours, the cathedral sustained serious damage, including the destruction of the flèche (the timber spirelet over the crossing) and most of the lead-covered wooden roof above the stone vaulted ceiling. Contamination of the site and the nearby environment resulted. Following the fire, many proposals were made for modernizing the cathedral’s design. However, on 29 July 2019, the French National Assembly enacted a law requiring that the restoration must preserve the cathedral’s ‘historic, artistic and architectural interest’. Stabilizing the structure against possible collapse was completed in November 2020, with reconstruction beginning in 2021. The government of France hopes the reconstruction can be completed by Spring 2024, in time for the opening of the 2024 Summer Olympics in Paris. President Emmanuel Macron confirmed on 14 April 2021 that the cathedral site will be formally returned to the church on 15 April 2024, and the first mass will be held in the cathedral nave on that day, even if the reconstruction is not finished by then. (Wikipedia)

45 Amazing Vintage Photos of North African Women from the 1880s to the 1950s

(25,5*32,5cm, signed: No. 194 Type de jeûne Femme Arabe. – P. Sebah.) Egypterin
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Amazing Portraits of Prostitutes From New Orleans’ Storeyville in the Early 1910s

Before Storyville of New Orleans shut down in 1917, it was the only legalized red-light district in North America, and French photographer E. J. Bellocq took portraits inside of these storied brothels. The Storyville photographs not only serve as a record of the prostitutes, but also the interiors of the businesses that housed them.

All the photographs are portraits of women. Many of the negatives were badly damaged, in part deliberately, which encouraged speculation. Many of the faces had been scraped out; whether this was done by Bellocq, his Jesuit priest brother who inherited them after E. J.’s death or someone else is unknown. Bellocq is the most likely candidate, since the damage was done while the emulsion was still wet.

49 Stunning Vintage Photos of Actress Myrna Loy During the 1930s & 1940s

Myrna Loy, born Myrna Adele Williams on August 2, 1905 in Helena, Montana, was only thirteen when her father died of influenza in 1918. Her family subsequently moved to Los Angeles and already learning to dance it wasn’t long before she also took up acting. In 1923 she started dancing at Grauman’s Egyptian Theatre and after being noticed by Rudolph Valentino and his wife Natacha Rambova they helped her get her first role (albeit uncredited) in the 1925 film What Price Beauty? In the same year she appeared in Pretty Ladies along with Joan Crawford. She became one of the few stars who appeared in silent movies and make a successful transition into the sound era. Although in most of her early films she played what were called ‘exotic’ roles including Ham and Eggs at the Front (1927) where she literally blacked up. Her last role in this vein was when she played Fah Lo See in the Mask of Fu Manchu (1932). By this point she was more than fed up being typecast in these roles. The film critic Farran Smith Nehme wrote of when Loy initially read the script:

Immediately after Thirteen Women, Loy did The Mask of Fu Manchu, and found herself confronted with a script that asked her to whip a man “while uttering gleefully suggestive sounds.” She’d had it with this sort of stuff, and furthermore she’d been reading Freud and picked up a thing or two. She went to producer Hunt Stromberg and refused to film it: “I’ve done a lot of terrible things in films, but this girl’s a sadistic nymphomaniac.” Stromberg said, “What’s that?”, which lack of familiarity with less-conventional sexuality makes you wonder how Hunt Stromberg ever got anywhere as a Hollywood producer, but never mind. Loy replied, “Well, you better find out, because that’s what she is and I won’t play her that way.” Studio contracts being what they were, she did play her that way, but she succeeded in getting Stromberg to trim some excesses. “She wasn’t Rebecca of Sunnybrook Farm,” said Miss Loy, “but, as I remember, she just watched while others did the whipping.”

Only two years later she was chosen to play along side William Powell in The Thin Man. Myrna Loy once said that “I never enjoyed my work more than when I worked with William Powell. He was a brilliant actor, a delightful companion, a great friend and, above all, a true gentleman.” Director W. S. Van Dyke chose Loy after he detected a wit and sense of humor at a Hollywood party that her previous films had not revealed. Although Louis B. Mayer initially thought her unsuitable, Van Dyke insisted and the film went on to become one of the year’s biggest hits – even nominated for the Academy Award for Best Picture. Loy received excellent reviews and was acclaimed for her comedic skills. William Powell and Myrna Loy became one of Hollywood’s most popular screen couples and appeared in 14 films together. Loy later referred to The Thin Man as the film:

That finally made me … after more than 80 films.” . . . Nora had a gorgeous sense of humor; she appreciated the distinctive grace of her husband’s wit. She laughed . . . at him and with him when he was funny. What’s more, she laughed at herself. Besides having tolerance, she was a good guy. She was courageous and interested in living and she enjoyed doing all the things she did. You understand, she had a good time, always.

According to the film critic Philip French her greatest performance came in William Wyler’s The Best Years of our Lives (1946), about returning war veterans. Her scenes with husband Fredric March – putting him to bed after a drunken reunion, discussing the nature of what makes a marriage survive with their daughter – constitute a masterclass in screen acting.

During World War Two Loy raised millions of dollars in war bonds and worked tirelessly for the Red Cross. A friend of Eleanor Roosevelt she became active in liberal politics and an unabashed supporter of the Civil Rights Movement. She also spoke out against the House Un-American Activities Committee.

By the time Loy died in 1993, at the age of 88, and two years after being awarded an honorary Oscar she had appeared in an incredible 129 movies.

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15 Vintage Photos of Motorcycle Riders Posing in Their Harley-Davidson Racing Jerseys From the 1920s and 1930s

The brand Harley Davidson has become synonymous with motorcycles. Harley is a defining force in the history of motorcycle racing, cross country touring and general motorcycle club mayhem with their great machines; but Harley Davidson’s apparel history is just as rich and intriguing.

Check out these old photos of dudes wearing vintage Harley Davidson racing jerseys. The photographs are excellent and capture the beauty that is vintage motorcycle apparel…

48 Amazing Vintage Photos From “The Munsters” TV Series (1964–1966)

The Munsters is an American sitcom depicting the home life of a family of benign monsters. The series starred Fred Gwynne as Frankenstein’s monster and head-of-the-household Herman Munster; Yvonne De Carlo as his wife Lily; Al Lewis as Lily’s father, Grandpa, the somewhat over-the-hill vampire Count Dracula who longs for the “good old days” in Transylvania; Beverley Owen (later replaced by Pat Priest) as their teenage niece Marilyn, who was attractive by conventional standards but the “ugly duckling” of the family; and Butch Patrick as their werewolfish son Eddie.

Produced by the creators of Leave It to Beaver, the series was a satire of American suburban life, as well as both traditional monster movies and the wholesome family fare of the era. It achieved higher Nielsen ratings than the similarly macabre-themed The Addams Family, which aired concurrently on ABC.

In 1965, The Munsters was nominated for the Golden Globe Award for Best Television Series but lost to The Rogues. In the 21st century it received several TV Land Award nominations, including one for Most Uninsurable Driver (Herman Munster).

The series originally aired on Thursday at 7:30 pm on CBS from September 24, 1964, to May 12, 1966. Seventy episodes were produced. It was cancelled after ratings dropped to a series low due to competition from ABC’s Batman. Butch Patrick said, “I think ‘Batman’ was to blame. ’Batman’ just came along and took our ratings away.” But The Munsters found a large audience in syndication. This popularity warranted a spin-off series, as well as several films, including one with a theatrical release, and several more recent attempts to reboot it. (Wikipedia)

38 Stunning Photos of American Movie Stars from the 1920s

Alice Day, 1924
Anita Page, 1929
Anna May Wong, 1928
Barbara Stanwyck, 1928
Bebe Daniels, 1925
Bessie Love, 1927
Betty Blythe, 1921
Billie Dove, 1927
Carole Lombard, 1929
Clara Bow, 1927
Dolores Costello, 1928
Evelyn Brent, 1927
Fay Wray, 1928
Gladys Leslie, 1921
Gloria Swanson, 1922
Greta Garbo, 1928
Helene Costello, 1926
Jacqueline Logan, 1928
Jeanette Loff, 1928
Joan Crawford, 1928
Kathryn Perry, 1921
Laura La Plante, 1922
Leila Hyams, 1929
Lili Damita, 1925
Lillian Gish, 1920
Louise Brooks, 1928
Mabel Normand, 1926
Madge Bellamy, 1923
Marguerite Churchill, 1929
Marguerite De La Motte, 1923
Marion Davies, 1927
Mary Philbin, 1928
Mary Pickford, 1920
May McAvoy, 1924
Myrna Loy, 1929
Nina Mae McKinney, 1929
Norma Shearer, 1923
Thelma Todd, 1926

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