(Photos by Jack Delano, via Library of Congress)
35 Amazing Color Photographs Showing America from between 1940 and 1943
20 Early 20th Century Portraits of a Young Evelyn Nesbit, America’s First Supermodel
Evelyn Nesbit (born Florence Evelyn Nesbit; December 25, 1884 or 1885 – January 17, 1967) was an American artists’ model, chorus girl, and actress. She is best known for her years as a young woman in New York City, particularly her involvement in a deadly love triangle between railroad scion Harry Kendall Thaw and architect Stanford White, which resulted in White’s murder by Thaw in 1906.
In her day, Nesbit was a famous fashion model, being frequently photographed for mass circulation newspapers, magazine advertisements, souvenir items, and calendars. When in her early teens, she had begun working as an artist’s model in Philadelphia. Nesbit continued after her family moved to New York, posing for legitimate artists including James Carroll Beckwith, Frederick S. Church, and notably Charles Dana Gibson, who idealized her as a “Gibson Girl”. She was an artists’ and fashion model when both fashion photography (as an advertising medium) and the pin-up (as an art genre) were beginning to expand.
Nesbit entered theater, first as a chorus line dancer. She was offered a contract as a featured star, and attracted attention from a variety of wealthy men, including Stanford White, nearly three times her age. In 1905, Nesbit married Harry Thaw, a multi-millionaire with a history of mental instability and abusive behavior. The next year, on June 25, 1906, Thaw shot and killed White at the rooftop theatre of Madison Square Garden.
The press called the resulting court case the “Trial of the Century”, and coverage of these well-known figures was sensational. Nesbit testified that White had befriended her and her mother, but had sexually assaulted her when she was unconscious. Thaw was said to have killed White in retaliation, based on his own obsession with Nesbit.
Nesbit visited Thaw while he was confined to mental asylums. She toured Europe with a dance troupe, and her son, Russell Thaw, was born there. Later she took the boy with her to Hollywood, where she appeared as an actress in numerous silent films. Russell also acted in some of these. Nesbit wrote two memoirs about her life, published in 1914 and 1934. Her son later became a pilot, working as a test pilot for the Douglas Aircraft Company after World War II.
Nesbit died in a nursing home in Santa Monica, California, on January 17, 1967, at the age of 82. She had been a resident there for more than a year. She was buried at Holy Cross Cemetery in Culver City, California. (Wikipedia)
41 Fascinating Photos that Shows Life in the Wicker Park Neighborhood of Chicago in the Late 1950s
Wicker Park is a neighborhood of about 26,000 residents within the West Town community area in Chicago, Illinois. Situated west of the Kennedy Expressway, east of Humboldt Park, and south of the Bloomingdale Trail, Wicker Park is known for its local hipster culture, art community, nightlife, and food scene.
In recent years, Wicker Park has seen record real estate and commercial development, particularly along the CTA Blue Line subway. Wicker Park is home to many luxury boutique shops and several flagship stores including Adidas Originals, Champion, Arc’teryx, and Yeti. Located within the 60622 zip code, Wicker Park is home to some of Chicago’s most expensive real estate with median home prices over $550,000.
22 Vintage Photographs of Children From the 1940s to the 1960s
Below are 22 fascinating vintage photographs capture children’s life in France, Switzerland and the United States by LIFE photographer Yale Joel from the 1940s to 1960s:
45 Vintage Photos Showing Couch Styles in the 1950s
23 Stunning Colorized Victorian Era Portraits
The series of stunning photographs show a young couple dressed in opulent clothing, teenage girls with their hair in ringlets and children all with a solemn look on their faces. Other breathtaking shots show a heavily bearded man and a young man casually leaning for his photo opportunity.
The images were expertly colorized by French bank technician Frédéric Duriez by using Gimp editing software. Duriez, who has been colorizing for three years, said he was attracted by the beauty of the clothes and especially the dresses of this period.
“I was fascinated by these portraits without expression because all the looks are frozen in time,” said Frederic. “It was very difficult to colorize these images because they are without relief and contrast… I was attracted by the beauty of the clothes and especially the dresses of this period.”
(Photos Colorized by Frédéric Duriez)
23 Amazing Color Portraits of Artist Frida Kahlo During the 1930s – 1950s
Magdalena Carmen Frida Kahlo y Calderón, (6 July 1907 – 13 July 1954) was a Mexican painter known for her many portraits, self-portraits, and works inspired by the nature and artifacts of Mexico. Inspired by the country’s popular culture, she employed a naïve folk art style to explore questions of identity, postcolonialism, gender, class, and race in Mexican society. Her paintings often had strong autobiographical elements and mixed realism with fantasy. In addition to belonging to the post-revolutionary Mexicayotl movement, which sought to define a Mexican identity, Kahlo has been described as a surrealist or magical realist. She is known for painting about her experience of chronic pain.
Born to a German father and a mestiza mother, Kahlo spent most of her childhood and adult life at La Casa Azul, her family home in Coyoacán – now publicly accessible as the Frida Kahlo Museum. Although she was disabled by polio as a child, Kahlo had been a promising student headed for medical school until she suffered a bus accident at the age of 18, which caused her lifelong pain and medical problems. During her recovery, she returned to her childhood interest in art with the idea of becoming an artist.
Kahlo’s interests in politics and art led her to join the Mexican Communist Party in 1927, through which she met fellow Mexican artist Diego Rivera. The couple married in 1929, and spent the late 1920s and early 1930s travelling in Mexico and the United States together. During this time, she developed her artistic style, drawing her main inspiration from Mexican folk culture, and painted mostly small self-portraits which mixed elements from pre-Columbian and Catholic beliefs. Her paintings raised the interest of Surrealist artist André Breton, who arranged for Kahlo’s first solo exhibition at the Julien Levy Gallery in New York in 1938; the exhibition was a success, and was followed by another in Paris in 1939. While the French exhibition was less successful, the Louvre purchased a painting from Kahlo, The Frame, making her the first Mexican artist to be featured in their collection. Throughout the 1940s, Kahlo participated in exhibitions in Mexico and the United States and worked as an art teacher. She taught at the Escuela Nacional de Pintura, Escultura y Grabado (“La Esmeralda”) and was a founding member of the Seminario de Cultura Mexicana. Kahlo’s always-fragile health began to decline in the same decade. She had her first solo exhibition in Mexico in 1953, shortly before her death in 1954 at the age of 47.
Kahlo’s work as an artist remained relatively unknown until the late 1970s, when her work was rediscovered by art historians and political activists. By the early 1990s, she had become not only a recognized figure in art history, but also regarded as an icon for Chicanos, the feminism movement and the LGBTQ+ movement. Kahlo’s work has been celebrated internationally as emblematic of Mexican national and indigenous traditions and by feminists for what is seen as its uncompromising depiction of the female experience and form. (Wikipedia)
40 Fantastic Photos of Vintage Car Ads from 1950s to 1980s
50 Amazing Celebrity Portraits from the 1960s & 1970s
30 Vintage Photos of Circus Performers during the 1920s and 1930s
A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclists as well as other object manipulation and stunt-oriented artists. The term circus also describes the performance which has followed various formats through its 250-year modern history. Although not the inventor of the medium, Philip Astley is credited as the father of the modern circus. In 1768, Astley, a skilled equestrian, began performing exhibitions of trick horse riding in an open field called Ha’Penny Hatch on the south side of the Thames River. In 1770, he hired acrobats, tightrope walkers, jugglers and a clown to fill in the pauses between the equestrian demonstrations and thus chanced on the format which was later named a “circus”. Performances developed significantly over the next fifty years, with large-scale theatrical battle reenactments becoming a significant feature. The traditional format, in which a ringmaster introduces a variety of choreographed acts set to music, developed in the latter part of the 19th century and remained the dominant format until the 1970s.
As styles of performance have developed since the time of Astley, so too have the types of venues where these circuses have performed. The earliest modern circuses were performed in open-air structures with limited covered seating. From the late 18th to late 19th century, custom-made circus buildings (often wooden) were built with various types of seating, a centre ring, and sometimes a stage. The traditional large tents commonly known as “big tops” were introduced in the mid-19th century as touring circuses superseded static venues. These tents eventually became the most common venue. Contemporary circuses perform in a variety of venues including tents, theatres and casinos. Many circus performances are still held in a ring, usually 13 m (42 ft) in diameter. This dimension was adopted by Astley in the late 18th century as the minimum diameter that enabled an acrobatic horse rider to stand upright on a cantering horse to perform their tricks.
Contemporary circus has been credited with a revival of the circus tradition since the late 1970s, when a number of groups began to experiment with new circus formats and aesthetics, typically avoiding the use of animals to focus exclusively on human artistry. Circuses within the movement have tended to favour a theatrical approach, combining character-driven circus acts with original music in a broad variety of styles to convey complex themes or stories. Contemporary circus continues to develop new variations on the circus tradition while absorbing new skills, techniques, and stylistic influences from other performing arts. (Wikipedia)
