Marilyn Monroe’s Screen Test For Her Unfinished Movie Something’s Got to Give, 1962.

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Marilyn Monroe’s unfinished film “Something’s Got to Give” remains an enigmatic piece of Hollywood history. The 1962 romantic comedy was intended to be Monroe’s comeback after a brief hiatus from the film industry, following her successful performance in “The Misfits” (1961). Directed by George Cukor, the film also starred Dean Martin and Cyd Charisse. However, the production faced numerous challenges and ultimately, Monroe’s untimely death left the project incomplete, adding a layer of tragic intrigue to its legacy.

The story revolves around the character Ellen Wagstaff Arden, played by Monroe, who is presumed dead after being lost at sea for five years. Upon her return, she discovers that her husband Nick (Dean Martin) has remarried, creating a comedic yet emotionally charged premise. The screenplay, written by Arnold Schulman and Nunnally Johnson, was adapted from the 1940 film “My Favorite Wife” starring Irene Dunne and Cary Grant. Despite the film’s lighthearted nature, the behind-the-scenes turmoil marred its development.

Monroe’s personal struggles, including chronic illnesses and dependency on prescription drugs, significantly impacted her ability to attend filming consistently. Reports of her erratic behavior and frequent absences from the set led to production delays and escalating tensions among the cast and crew. Director George Cukor, known for his meticulous approach, found it increasingly difficult to manage the situation. In June 1962, Monroe was fired from the project, though she was later rehired following negotiations.

Despite Monroe’s firing and subsequent rehiring, the film’s troubles persisted. The production shutdown, combined with Monroe’s unexpected death in August 1962, meant that “Something’s Got to Give” would never be completed. Only 37 minutes of the original footage exist, offering a glimpse into what could have been a successful film. These scenes, however, showcase Monroe’s undeniable charm and talent, highlighting the potential of the unfinished project.

In 1990, a reconstruction of the film was attempted using the existing footage, combined with additional materials, to create a more coherent narrative. This effort allowed audiences to appreciate Monroe’s performance and understand the film’s intended storyline. Despite its incomplete state, “Something’s Got to Give” serves as a poignant reminder of Monroe’s enduring legacy and the challenges she faced during her career.

Ultimately, “Something’s Got to Give” stands as a testament to the complexities of Hollywood and the pressures faced by its stars. Monroe’s involvement in the film, coupled with her untimely death, has cemented its place in cinematic history as a symbol of unfulfilled potential. The fragments of the movie that remain continue to captivate audiences, providing a haunting glimpse into the final moments of one of Hollywood’s most iconic figures.

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Historical Photos Showing Life in New York City during the 1940s – Video

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Amazing Photographs Showing Life in Chicago During the Early 1940s

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Chicago in the early 1940s was a city undergoing significant transformation. As the United States entered World War II in December 1941, Chicago emerged as a pivotal industrial and transportation hub, contributing massively to the war effort. The city’s factories were repurposed for wartime production, manufacturing everything from tanks to aircraft components. This industrial boom not only provided jobs for thousands of Chicagoans but also attracted workers from other parts of the country, leading to a demographic shift and a burgeoning population. The war years saw Chicago bustling with activity, embodying the spirit of resilience and determination characteristic of the era.

Despite the war’s impact, daily life in Chicago retained its vibrancy. The city’s cultural scene flourished, with jazz and blues clubs, theaters, and art galleries offering a rich tapestry of entertainment and artistic expression. Chicago’s music scene, in particular, thrived during the 1940s, with legendary musicians like Muddy Waters and Howlin’ Wolf contributing to the burgeoning blues movement. The city’s theaters and cinemas provided an escape for residents, showing the latest Hollywood films and hosting live performances. These cultural outlets not only provided relief from the rigors of wartime but also reinforced Chicago’s reputation as a center of creativity and innovation.

The early 1940s also marked a period of significant social change in Chicago. The Great Migration, which had begun in the early 20th century, continued to bring African Americans from the rural South to the urban North in search of better economic opportunities and an escape from Jim Crow segregation. Chicago’s South Side became a vibrant African American community, with Bronzeville emerging as a cultural and economic center. This influx of new residents added to the city’s diversity but also highlighted existing racial tensions and the need for social reform. The war effort, coupled with these demographic shifts, set the stage for future civil rights advancements in the city.

Urban development in Chicago during this time was also notable. The city’s skyline was dotted with new construction projects, reflecting the optimism and progress of the era. However, the war brought challenges, including material shortages and rationing, which impacted both public and private development. The city government implemented measures to address housing shortages, as the influx of war workers increased the demand for accommodation. Despite these challenges, Chicago’s infrastructure continued to evolve, laying the groundwork for post-war growth and expansion.

The photographs in this collection vividly illustrate these dynamic changes. Images of bustling factories, crowded streets, and cultural landmarks provide a visual narrative of Chicago’s resilience and vitality during the early 1940s. Images of jazz clubs and theaters capture the city’s thriving cultural scene, while photographs of new construction projects highlight the era’s optimism and progress. Photos of the diverse communities, particularly the African American neighborhoods of the South Side, also underscore the social changes and challenges of the time.

In conclusion, Chicago in the early 1940s was a city of transformation and resilience. The war effort propelled industrial growth, while the cultural scene offered a rich tapestry of artistic expression. Social changes, driven by the Great Migration, set the stage for future civil rights advancements. Urban development continued despite wartime challenges, reflecting the city’s enduring spirit of progress. Through the lens of your photographs, the multifaceted story of Chicago during this pivotal era can be brought to life, providing a comprehensive glimpse into its historical and cultural landscape.

The early 1940s were a transformative period for Chicago, marked by several significant events:

  1. World War II Impact: Chicago played a crucial role in the war effort, with its factories producing military equipment and supplies. This industrial boom provided jobs and attracted workers from other parts of the country, leading to a demographic shift1.
  2. Great Migration: The influx of African Americans from the rural South continued, with many settling in Chicago’s South Side. This migration led to the growth of vibrant African American communities, such as Bronzeville, and highlighted racial tensions and the need for social reform1.
  3. Cultural Flourishing: Despite the war, Chicago’s cultural scene thrived. Jazz and blues clubs, theaters, and art galleries offered a rich tapestry of entertainment and artistic expression1. Musicians like Muddy Waters and Howlin’ Wolf contributed to the burgeoning blues movement.
  4. Urban Development: The city’s skyline saw new construction projects, reflecting the optimism and progress of the era. However, material shortages and rationing due to the war posed challenges to both public and private development1.
  5. Social Changes: The war effort and demographic shifts set the stage for future civil rights advancements. The Great Migration and the growing African American population in Chicago contributed to the city’s diversity and cultural richness1.

These events collectively shaped Chicago’s identity during the early 1940s, making it a city of resilience, creativity, and progress.

In the summers of 1940 and 1941, photographer John Vachon passed through Chicago, where he put his abilities as a street portraitist across a broad range of people, capturing the elegance and poverty of the central city during wartime.

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The Assassination of King Alexander and French Foreign Minister Louis Barthou on the Streets of Marseilles, France on October 9, 1934. Video.

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“King Alexander and Louis Barthou, Shot Down in Streets of Marseilles by Revolutionists. Furious Spectators Batter Bulgarian Killer to Death As His Victims Die. Alexander Murdered” – “Universal Newsreel brings you the First Actual motion pictures of the murder of King Alexander of Jugoslavia and French Foreign Minister Barthou.” The footage shows scenes of the King arriving on a cruiser at Marseilles, riding through the town, then shots ring out, and after the King’s death is confirmed the assembled crowd beats the Bulgarian assassin to death. the police are unable to contain the violence.

Earlier that same year French Foreign Minister Louis Barthou had been trying to create an alliance that would contain Hitler’s Germany. This alliance contained many of France’s allies in Eastern Europe like Yugoslavia, together with Italy and the Soviet Union. The long-standing rivalry between Benito Mussolini and King Alexander had made Barthou’s work much more difficult as Alexander was wary about Italian claims against his country together with Italian support for Hungarian revisionism and the Croat Ustaše.

In mid-1934 Barthou assured Alexander that France would strong-arm Mussolini into signing a treaty under which he would renounce his claims against Yugoslavia. Alexander believed that Barthou’s plan was a non-starter, noting that there were hundreds of Ustaše being sheltered in Italy and there was strong evidence that Mussolini had financed an unsuccessful attempt by the Ustaše to assassinate Alwxander in December 1933.

Mussolini believed that it was only Alexander’s charisma & charm that was keeping Yugoslavia falling to pieces and he was sure that if Alexander were assassinated, then the country wou disintegrate into civil war, thus allowing Italy to annex certain regions of Yugoslavia without fear of reprisals. Barthou invited Alexander for a state visit to France to sign a Franco-Yugoslav agreement. Because there had been deaths of three family members on Tuesdays, Alexander refused to undertake any public functions on that day of the week. On Tuesday, October 9, 1934, however, he had little choice but to begin his visit in Marseille in order to make a bold stance with France in their “Little Entente” alliance.

As Alexander’s motorcade slowly moved through the streets, a Bulgarian assassin, Vlado Chernozemski, moved forward and shot the King twice and the chauffeur with a Mauser C96 semiautomatic pistol. Alexander died in the car and was slumped backwards in the seat with his eyes open. Barthou was also killed by a stray bullet fired by French police during the scuffle following the attack. Lt-Col Piollet struck the assailant with his sword. Ten people in the procession were wounded, including General Alphonse Georges who was hit by two bullets as he tried to intervene. Nine people in the crowd that came to see the king were wounded, four of them fatally. Among them was Yolande Farris, barely 20 years old, on Place Castellane, who came to the Palais de la Bourse to see the king. She was hit by a stray bullet and died at the Hôtel-Dieu on October 11, 1934. Mrs. Dumazet and Durbec, who also came to see the king, also died. This event was notable as it was one of the first assassinations to be captured on film; the shooting took place in front of the newsreel cameraman, who was only metres away at the time. While the exact moment of shooting was not captured on film, the events leading to the assassination and the immediate aftermath were. The body of the chauffeur Foissac, who had been mortally wounded, slumped and jammed against the brakes of the car, which allowed the cameraman to continue filming from within inches of the King for a number of minutes afterwards. The film record of Alexander I’s assassination remains one of the most notable pieces of newsreel in existence.

This video is in the public domain.

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The Attack on Pearl Harbor, December 7, 1941

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Amazing Photographs of Car Accidents in California During the 1950s

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45 Gorgeous Photographs of Actress Barbara Eden During the 1960s

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Barbara Eden, born Barbara Jean Morehead on August 23, 1931, in Tucson, Arizona, is an American actress and singer best known for her iconic role as Jeannie in the TV sitcom “I Dream of Jeannie” (1965-1970). Eden’s career began in the mid-1950s with appearances on television shows like “The Johnny Carson Show” and “Burke’s Law”. She quickly gained popularity and landed her first major film role in “A Private’s Affair” (1959).

Eden’s breakthrough came with “I Dream of Jeannie”, where she portrayed the beautiful and mischievous genie who becomes the master of an American astronaut, played by Larry Hagman. The show was a huge success and ran for five seasons, making Eden a household name. Beyond this role, Eden starred in over 20 theatrical and made-for-television films. She worked for at least four movie studios: 20th Century Fox, Metro-Goldwyn-Mayer, Columbia Studios, and Universal Studios. Most notable in her career was the film Flaming Star (1960), in which she acted as Elvis Presley’s leading lady. Other films in which Barbara Eden had a leading role were Voyage to the Bottom of the Sea (1961), The Wonderful World of the Brothers Grimm (1962), Five Weeks in a Balloon (1962), 7 Faces of Dr. Lao (1964) and The Brass Bottle (1964). The Brass Bottle comedy movie led to Sidney Sheldon’s creation of I Dream of Jeannie (1965) comical TV series.

Throughout her career, Eden continued to work in television and film, showcasing her versatility as an actress. Outside of her film and television works, Barbara Eden headlined at major hotel resorts and casinos, including Lake Tahoe, Atlantic City, and Las Vegas. She was also the star attraction at the MGM Grand, Harrah’s, and Caesar’s Palace on concert stages and in legitimate theatres nationwide.

In 1988, Eden received a star on the Hollywood Walk of Fame for her contributions to television. In 1990, the University of West Los Angeles School of Law granted Eden an honorary Doctor of Laws degree. She is still going strong today at the age of 93.

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Vintage Photographs Showing Everyday Life in America During the 1940s

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Everyday life in the United States during the 1940s was shaped largely by World War II, which profoundly impacted the home front. The early part of the decade saw families adjusting to wartime realities, with many men enlisting or being drafted into military service. Women stepped into roles traditionally held by men, working in factories and other industries to support the war effort. This period saw the iconic image of “Rosie the Riveter” become a symbol of female empowerment and the nation’s collective effort towards victory. Rationing became a part of daily life, with households conserving food, gasoline, and other resources to ensure enough supplies were available for the military.

Despite the challenges, the 1940s were a time of significant social change. The war accelerated technological advancements and fostered a sense of unity and purpose among Americans. People came together to support the war effort by buying war bonds, participating in scrap drives, and volunteering for civil defence duties. The sense of community and patriotism was palpable, as everyone contributed to the nation’s goals. Additionally, the experiences and opportunities that women and minorities gained during the war laid the groundwork for future social movements and advancements in civil rights.

The late 1940s saw the United States transitioning from wartime to peacetime. The war’s end brought about a period of economic prosperity and growth, often referred to as the post-war boom. Soldiers returned home, and many took advantage of the GI Bill to pursue higher education or buy homes, leading to a surge in suburban development. Consumer goods, which had been scarce during the war, became more available, and Americans enjoyed new conveniences such as refrigerators, washing machines, and television sets. The baby boom began during this period as families reunited and began to grow.

Culturally, the 1940s were a vibrant time for music, movies, and fashion. Swing music and big bands were immensely popular, with figures like Glenn Miller and Duke Ellington dominating the airwaves. Hollywood produced some of its most enduring classics, including films like “Casablanca” and “It’s a Wonderful Life.” Fashion also saw significant changes, with practical wartime styles giving way to more lavish and expressive designs as the decade progressed. Overall, the 1940s were a time of resilience, adaptation, and transformation, impacting American society.

Tucson on Saturday afternoon, Arizona, Feb. 1940

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58 Historical Photographs Showing People with their Cars in the Early 20th Century

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Rare Vintage Photos of Beautiful Young Women From the 1920s

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