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(She is actually Alice Denham, Playboy Playmate for July 1956)












Bringing You the Wonder of Yesterday – Today


















































This is the last known photo of the Space Shuttle Challenger crew boarding the space shuttle on January 28, 1986. Tragedy would strike 73 seconds into launch as the shuttle’s O-ring on it’s right booster failed leading to the separation of the Solid Rocket Booster. Extreme aerodynamic forces then broke up the orbiter. The crew compartment survived the break but the impact with the ocean surface was too violent to be survivable.

On January 28, 1986, the NASA shuttle orbiter mission STS-51-L and the tenth flight of Space Shuttle Challenger (OV-99) broke apart 73 seconds into its flight, killing all seven crew members, which consisted of five NASA astronauts, one payload specialist and a civilian school teacher. The spacecraft disintegrated over the Atlantic Ocean, off the coast of Cape Canaveral, Florida, at 11:39 a.m. EST. The disintegration of the vehicle began after a joint in its right solid rocket booster (SRB) failed at liftoff. The failure was caused by the failure of O-ring seals used in the joint that were not designed to handle the unusually cold conditions that existed at this launch. The seals’ failure caused a breach in the SRB joint, allowing pressurized burning gas from within the solid rocket motor to reach the outside and impinge upon the adjacent SRB aft field joint attachment hardware and external fuel tank. This led to the separation of the right-hand SRB’s aft field joint attachment and the structural failure of the external tank. Aerodynamic forces broke up the orbiter.
The crew compartment and many other vehicle fragments were eventually recovered from the ocean floor after a lengthy search and recovery operation. The exact timing of the death of the crew is unknown; several crew members are known to have survived the initial breakup of the spacecraft. The shuttle had no escape system, and the impact of the crew compartment at terminal velocity with the ocean surface was too violent to be survivable.
“The whole country and the whole world were in shock when that happened, because that was the first time the United States had actually lost a space vehicle with crew on board,” said former NASA astronaut Leroy Chiao, who flew three space shuttle missions during his career (in 1994, 1996 and 2000), and also served as commander of the International Space Station from October 2004 through April 2005.
“It was even more shocking because Christa McAuliffe was not a professional astronaut,” Chiao told Space.com. “If you lose military people during a military operation, it’s sad and it’s tragic, but they’re professionals doing a job, and that’s kind of the way I look at professional astronauts. But you’re taking someone who’s not a professional, and it happened to be that mission that got lost — it added to the shock.”

The disaster resulted in a 32-month hiatus in the shuttle program and the formation of the Rogers Commission, a special commission appointed by United States President Ronald Reagan to investigate the accident. The Rogers Commission found NASA’s organizational culture and decision-making processes had been key contributing factors to the accident, with the agency violating its own safety rules. NASA managers had known since 1977 that contractor Morton-Thiokol’s design of the SRBs contained a potentially catastrophic flaw in the O-rings, but they had failed to address this problem properly. NASA managers also disregarded warnings from engineers about the dangers of launching posed by the low temperatures of that morning, and failed to adequately report these technical concerns to their superiors.
Approximately 17 percent of Americans witnessed the launch live because of the presence of high school teacher Christa McAuliffe, who would have been the first teacher in space. Media coverage of the accident was extensive: one study reported that 85 percent of Americans surveyed had heard the news within an hour of the accident. The Challenger disaster has been used as a case study in many discussions of engineering safety and workplace ethics.














“No fear of water can keep the pupil from learning to swim in this apparatus.” This appeared in Popular Science Nov, 1931. It was definitely a perfect device to make kids detest swimming.

Despite its status as a device that defines the modern age, the television has its roots in the 19th century, when scientists found ways to transmit images and sound. Even the word “television,” combining Greek and Latin roots to mean “far-sight,” stems from the 1900 world’s fair.
Perhaps more than any other medium, TV has captured the hearts of people since first becoming available in the late 1920s. And while the power of television has only increased over time, its evolution over the past 80 years clearly illustrates how technology influences consumer behavior, while this change in consumption drives the TV industry to take on new forms that radically alter the way we experience the medium.














Born 1895 in Chicago, American model and silent film actress Virginia Rappe began working as a commercial and art model at age 14. In 1916, Rappe relocated to San Francisco to pursue her career as an artist’s model, where she met dress designer Robert Moscovitz, to whom she became engaged. However, shortly after the engagement, Moscovitz was killed in a streetcar accident, whereupon Rappe moved to Los Angeles.
In 1919, Rappe began a relationship with director/producer Henry Lehrman. The two eventually became engaged and lived together. Rappe appeared in at least four films for Lehrman: His Musical Sneeze, A Twilight Baby, Punch of the Irish and A Game Lady.
During a party held on Labor Day, September 5, 1921, in Roscoe “Fatty” Arbuckle’s suite, number 1219, at the St. Francis Hotel in San Francisco, Rappe allegedly suffered a trauma. She died on September 9 from a ruptured bladder and secondary peritonitis. The circumstances of Rappe’s death in 1921 became a Hollywood scandal and were covered widely (and sensationalized) by the media of the time.
It was alleged that Rappe had died as a result of a violent sexual assault by Arbuckle. Arbuckle’s accuser, Bambina Maude Delmont, had accompanied Rappe to the party; she had first met Rappe only a few days earlier (Delmont had a police record for extortion, prostitution and blackmail). Subsequent witnesses testified that Rappe had for some time suffered from cystitis, and that consuming alcohol could aggravate that condition. Witnesses also testified that she had previously suffered from venereal disease, so there were allegations that her death was brought on by her health rather than by an assault.
After three manslaughter trials, Arbuckle was formally acquitted; his acquittal in the third trial was accompanied by an unprecedented statement of apology from the jury stating, in part, that, “Acquittal is not enough for Roscoe Arbuckle. We feel that a great injustice has been done him… there was not the slightest proof adduced to connect him in any way with the commission of a crime.” Nevertheless, Arbuckle’s reputation and career were ruined because of the scandal.
The case has been examined by scholars and historians over the years and is still speculated about today, and a number of detailed books about the case have analyzed the incident and subsequent trials.
Take a look at these photos to see the beauty of Virginia Rappe in the late 1910s and early 1920s.




















There is no formal definition of a house car but in the early 1900s, Americans want to take to the roads and explore. Some creative Tin Can tourists decided that they’d rather bring their home with them rather than have the tent attachments on the sides of their Model T’s, so they built larger structures that resembled houses onto the frames and off they went. It really is the earliest example of what we commonly call a mobile home.
Mobile homes often look blocky and sterile, but these wooden houses look like gingerbread Victorian houses on wheels. Check out how people have hammered and sawed their own homes onto cars.












Woodstock is widely regarded as one of the most important events in music history. The festival, which took place in August 1969, drew about half a million people and was headlined by now-legendary acts like Jimi Hendrix, Janis Joplin, Grateful Dead, Joe Cocker, and Crosby, Stills, Nash and Young. Many of the sets have since gone on to not only become classic moments in those artists’ respective careers, but also representative snapshots of America’s counterculture during that time.

It makes you wonder, then, how much a concert of that magnitude and influence would cost, right? As the monetary breakdown shows, Hendrix earned the most money from the festival, pulling in about $18,000 (or more than $125,000 in today’s money). Blood, Sweat and Tears ($15,000), Joan Baez ($10,000), Creedence Clearwater Revival ($10,000), and The Band ($7,500) rounded out the Top 5 earners.
Other A-listers such as The Who and Joe Cocker took home $6,250 and $1,375, respectively. There was a lot of cash to go around, to be sure, but the event wasn’t as steep as some of today’s big-budget productions. Here’s the entire list of artists and their earnings:

The role of women in society had taken a massive leap forward In 1920 when all women were given the right to vote. The roles of American Women in the 1920s varied considerably between the ‘New Woman’, the Traditionalists and the older generation. The ‘New Woman’, including the young Flappers, embraced new fashions, personal freedom and new ideas that challenged the traditional role of women. The Traditionalists feared that the ‘ New Morality’ of the era was threatening family values and the conventional role of women in the home. The lives of Black American Women in the 1920s were also subject to change due to the influence of the Harlem Renaissance and the change from rural to urban life in the cities.
The Harlem Renaissance was a rebirth of African American culture and art in the wake of slavery, which had ended just 50 years prior. Occurring from 1918 through the 1930s and first coined the New Negro Movement, the Harlem Renaissance focused on self-definition of black people and the black experience. Black women were an integral part of the Harlem Renaissance, from dancer Josephine Baker to writer Zora Neale Hurston. But much like today, the identity of the “new black woman” was a hotly debated topic.






























The origins of the Speed Bag as we know it today are shrouded in mystery. Certain historical artifacts depict ancient boxers of Greece and Rome hitting a bag like object probably filled with some material or water. These were almost certainly animal skins or some other material, for the modern rubber air bladders of today came after the vulcanization of rubber in the 1840s. Judging by these historical depictions it is fair to say that man has been creating different size punching bags and used various methods of hanging them, for as long as he could make a fist.
The speed bag (also called “striking bag” and “speed ball”) as has been seen in various styles and shapes, hung from various types of hangers, wood or metal, and with various types of swivels. Our own research has found several links to this past and colorful history.
On particularly interesting book, entitled BOXING AND HOW TO TRAIN written by Sam C. Austin, sporting editor of the Police Gazette was published by Richard K. Fox in 1904. It features a whole section on BAG PUNCHING, using the speed bag. Here, some images from the book:
































