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Bringing You the Wonder of Yesterday – Today
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Albert Einstein and Charlie Chaplin, 1931
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This 1890 photograph is the oldest-known picture of women playing hockey, taken at Rideau Hall in Ottawa. Isobel Stanley, daughter of Lord Stanley, is seen wearing white.

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Up until the 1950s and 1960s, color photography was extremely rare, and so when we think about history prior to that time, we often envision it in black and white.
Colorized photos of French stage actress Sarah Bernhardt and English actress Ellen Terry in the 1860s
Today’s technology now enables us to colorize historical photos, giving us chances at imagination what the world really looked like back then. And it was truly spectacular.
These incredible portrait photos (most of them are celebrities) from the 19th century were colorized by seriykotik1970 that will blow you away.

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The race for the conquest of space had a great impact on people in the mid-1960s and thus also on fashion and design. The question of how one wanted to live in the future brought forth futuristic designs and manifested itself through geometric shapes. With the Sixties Revival at the end of the 20th century came the creations of the ball chair by Finnish furniture designer Eero Aarnio in 1963 and the egg chair by Danish industrial designer Henrik Thor-Larsen in 1968.
Not only do these chairs both look simple and unconventional at the same time, but they are also irrational and rational in an almost schizophrenic way. As they create a “room in the room” similar to a futuristic space capsule, they quickly became very popular and appeared not only in ‘60s living rooms but also in science fiction films. Fantastic white and silver space worlds with softly rounded plastic furniture were shown in movies such as Barbarella (1968) and 2001: A Space Odyssey (1968). It was these chairs that brought the Space Age into the terrestrial living rooms.
Take a look at these sixties Space Age ball and egg chairs below:

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Pets are part of many children’s lives. Parental involvement, open discussion, and planning are necessary to help make pet ownership a positive experience for everyone. A child who learns to care for an animal, and treat it kindly and patiently, may get invaluable training in learning to treat people the same way. Careless treatment of animals is unhealthy for both the pet and the child involved.
Children raised with pets show many benefits. Developing positive feelings about pets can contribute to a child’s self-esteem and self-confidence. Positive relationships with pets can aid in the development of trusting relationships with others. A good relationship with a pet can also help in developing non-verbal communication, compassion, and empathy.
These vintage photos capture lovely moments of children posing with their beloved animals.

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Pattie Boyd was the face of the ’60s. Her blonde hair, deep bangs, long legs, and perfect pout got her on magazine covers and snared her a bit part in the Beatles’ first film, A Hard Day’s Night. She met George Harrison on the very first day of filming, and he asked her out—thinking that she looked exactly like Brigitte Bardot.
She married the quiet Beatle, living a rarified life that few of us will ever experience. Boyd not only is famous for her iconic beauty, but for introducing the Fab Four to Maharishi Mahesh Yogi and also for leaving Harrison for his best friend Eric Clapton and inspiring some of rock’s most heart-torn classics like Harrison’s “Something,” “I Need You,” and Clapton’s “Layla” and “Wonderful Tonight.”

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The 1980s were a time of turmoil and upheaval for Liverpool. Unemployment and economic instability led to widespread disquiet, culminating in public shows of resistance such as the 1981 Toxteth Riots. Liverpool also elected its first Labour council in 1983, who promised to stand up for what they saw as unjust cuts under the Thatcher government.
However, the people of Liverpool were strong in the face of this upheaval, and glimpses of light can be found in dark times. As the official photographer for the Militant, Sinclair’s stunning images show a city that refused to lie down in the face of adversity.
Dave Sinclair was born in 1959 in Walton, Liverpool. By 1980, he was studying Art at Liverpool Polytechnic, where he developed an interest in the Liverpool urban landscape. Surrounded by derelict factories and docks, Dave started documenting his surroundings, processing and printing in black and white in a darkroom he built himself. He soon realised that photography was what he wanted to do for a living. His photographs have been featured in several exhibitions, including ‘The Dockers’ which was exhibited in London Liverpool and extensively abroad, The ‘School Student Strike’ at the Bluecoat in Liverpool and ‘Thatcher, Liverpool and the 80s’ in Shoreditch.
Liverpool in the 1980s’ pays tribute to the constancy of the Liverpudlian spirit. From citywide protests to intimate portraits, this volume is a unique insight into the recent history of one of Britain’s most inspirational cities.

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During World War II, the United States forcibly relocated and incarcerated at least 125,284 people of Japanese descent in 75 identified incarceration sites. Most lived on the Pacific Coast, in concentration camps in the western interior of the country. Approximately two-thirds of the inmates were United States citizens. These actions were initiated by President Franklin D. Roosevelt via Executive Order 9066 following Imperial Japan’s attack on Pearl Harbor.
Of the 127,000 Japanese Americans who were living in the continental United States at the time of the Pearl Harbor attack, 112,000 resided on the West Coast. About 80,000 were Nisei (literal translation: ‘second generation’; American-born Japanese with U.S. citizenship) and Sansei (‘third generation’, the children of Nisei). The rest were Issei (‘first generation’) immigrants born in Japan who were ineligible for U.S. citizenship under U.S. law.
Japanese Americans were placed in concentration camps based on local population concentrations and regional politics. More than 112,000 Japanese Americans who were living on the West Coast were incarcerated in camps which were located in its interior. In Hawaii (which was under martial law), where more than 150,000 Japanese Americans comprised over one-third of the territory’s population, only 1,200 to 1,800 were incarcerated. California defined anyone with 1⁄16th or more Japanese lineage as a person who should be incarcerated. Colonel Karl Bendetsen, the architect of the program, went so far as to say that anyone with “one drop of Japanese blood” qualified for incarceration.
These War Relocation Authority photos from The Library of Congress that depicted Japanese Americans before and during World War II and their incarceration in concentration camps.

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