37 Beautiful Vintage Photos of Actress Coleen Gray During the 1940s and 1950s

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Coleen Gray (born Doris Bernice Jensen; October 23, 1922 – August 3, 2015) was an American actress. She was best known for her roles in the films Nightmare Alley (1947), Red River (1948), and Stanley Kubrick’s The Killing (1956).

Gray was born in Staplehurst, Nebraska,[1] her family moved to Hutchinson, Minnesota when she was seven. She grew up on a farm. After graduating from Hutchinson high school in 1943 as Doris Jensen, she studied drama at Hamline University, and graduated cum laude with a Bachelor of Arts. She travelled to California, and worked as a waitress in a restaurant in La Jolla. After several weeks there, she moved to Los Angeles and enrolled at UCLA. She also worked in the school’s library and at a YWCA while a student.

She had leading roles in the Los Angeles stage productions Letters to Lucerne and Brief Music, which won her a 20th Century Fox contract in 1944.

After playing a bit part in State Fair (1945), she became pregnant and briefly stopped working, only to return a year later as the love interest of the character played by John Wayne in Red River (1948), which was shot in 1946 but held for release until 1948. Gray appeared in two 1947 films noir: In Kiss of Death as Victor Mature’s ex-con character’s wife and Richard Widmark’s character’s target; and in Nightmare Alley as Tyrone Power’s character’s carnival performer wife, “Electra.” In 1950, Gray used her musical abilities as she sang her part (rather than having her voice dubbed) opposite Bing Crosby in Riding High, directed by Frank Capra. Riding High was not a success and Fox ended her contract in 1950.

Gray worked steadily in the 1950s, but mostly in smaller movies. She played a crooked nurse in The Sleeping City (1950) and appeared in Kansas City Confidential (1952) and in the Stanley Kubrick film noir The Killing (1956), in which she plays the loyal girlfriend of criminal Sterling Hayden. In the 1953 Western The Vanquished, she played a woman who attacks Jan Sterling’s character with a pair of scissors in a crazed attempt to exonerate the man she loves (John Payne). Other films included Father Is a Bachelor (1950), The Leech Woman (1960), The Phantom Planet (1961), and P.J. (1968).

Gray appeared in The Late Liz (1971), and acted in the films Forgotten Lady (1977), and Mother (1978) with Patsy Ruth Miller. Mother had a premiere at the Museum of Modern Art in New York City. Both Mother and Forgotten Lady were written for Gray by Brian Pinette, who also served as director and producer. She appeared in the religious film Cry From the Mountain (1986, in the USA), directed by James F. Collier.

From the 1950s, Gray guest-starred in episodes of television series such as Four Star Playhouse, Maverick, Alfred Hitchcock Presents, Perry Mason, Mr. Ed, [Tales of Wells Fargo in 1960 in the episode “The Journey” as Sandra Morton, Rawhide in 1962 in the episode “The Devil and the Deep Blue” as Helen Wade, 77 Sunset Strip, Bonanza, The Deputy, Have Gun Will Travel, The Dakotas, Family Affair, Ironside, Lawman, The Name of the Game and Branded. On May 23, 1962, she was cast as Miss Wycliffe in the series finale, “A Job for Summer”, of the CBS comedy/drama series, Window on Main Street, starring Robert Young as a widowed author in his hometown. She made four guest appearances on Perry Mason, including the title role of defendant Lorraine Kendall in the 1960 episode, “The Case of the Wandering Widow.”

Gray was a regular on the daytime dramas Bright Promise and Days of Our Lives.

Gray married Rod Amateau, a screenwriter, on August 10, 1945; they divorced on February 11, 1949, and had one daughter, Susan. Gray’s second husband was William Clymer Bidlack, an aviation executive. They were married from July 14, 1953, until his death in 1978. The union produced a son, Bruce Robin Bidlack.

In 1979, Gray married widowed Biblical scholar Joseph Fritz Zeiser; they remained together until his death in March 2012. They worked together in Presbyterian causes and the non-profit organization, Prison Fellowship, founded in 1976 by Chuck Colson.

Gray was a Republican and supported Barry Goldwater in the 1964 United States presidential election. That same year, along with actors Victor Jory and Susan Seaforth, she testified before the United States Congress as part of “Project Prayer”, arguing in favor of a constitutional amendment allowing school prayer.

Gray, at age 92, died of natural causes in her Bel Air home in Los Angeles on August 3, 2015.

She was cremated at Pierce Brothers Westwood Village Memorial Park Cemetery and her ashes given to her stepson, Rick Zeiser. Her memorial service was held at the Bel Air Presbyterian Church where she, and her third husband, Joseph Fritz Ziesier, were active members.

Gray was a member of the board of directors at her alma mater, Hamline University. Gray was also active within the following organizations: WAIF, the child adoption organization as President, The March of Dimes, American Cancer Society, American Red Cross, American Mental Health Association, Los Angeles Epilepsy Society, Junior Blind, The Bel-Air Republican Women’s Group, and the Boy Scouts of America and the Girl Scouts of the United States of America. (Wikipedia)

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46 Amazing Vintage Photos Showing Turn-Of-The-Century New York’s Immigrant Slums

“Bandit’s Roost,” a notorious hangout for the criminal element at 59 Mulberry Street in Little Italy, 1888. At the time, the area was among the most impoverished and crime-ridden in the entire city.

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Pike and Henry Streets in the Lower East Side, with the Manhattan Bridge looming in the background, 1936.

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Vintage Historical Photos of the Wild West

The American frontier, also known as the Old West or the Wild West, includes the geography, history, folklore, and culture in the forward wave of American expansion in mainland North America that began with European colonial settlements in the early 17th century and ended with the admission of the last few western territories as states in 1912 (except Alaska, which was not admitted into the Union until 1959). This era of massive migration and settlement was particularly encouraged by President Thomas Jefferson following the Louisiana Purchase, giving rise to the expansionist attitude known as “Manifest Destiny” and the historians’ “Frontier Thesis”. The legends, historical events and folklore of the American frontier have embedded themselves into United States culture so much so that the Old West, and the Western genre of media specifically, has become one of the defining periods of American national identity.

The archetypical Old West period is generally accepted by historians to have occurred between the end of the American Civil War in 1865 until the closing of the Frontier by the Census Bureau in 1890.

By 1890, settlement in the American West had reached sufficient population density that the frontier line had disappeared; in 1890 the Census Bureau released a bulletin declaring the closing of the frontier, stating: “Up to and including 1880 the country had a frontier of settlement, but at present the unsettled area has been so broken into by isolated bodies of settlement that there can hardly be said to be a frontier line. In the discussion of its extent, its westward movement, etc., it can not, therefore, any longer have a place in the census reports.”

A frontier is a zone of contact at the edge of a line of settlement. Leading theorist Frederick Jackson Turner went deeper, arguing that the frontier was the scene of a defining process of American civilization: “The frontier,” he asserted, “promoted the formation of a composite nationality for the American people.” He theorized it was a process of development: “This perennial rebirth, this fluidity of American life, this expansion westward…furnish[es] the forces dominating American character.” Turner’s ideas since 1893 have inspired generations of historians (and critics) to explore multiple individual American frontiers, but the popular folk frontier concentrates on the conquest and settlement of Native American lands west of the Mississippi River, in what is now the Midwest, Texas, the Great Plains, the Rocky Mountains, the Southwest, and the West Coast.

Enormous popular attention was focused on the Western United States (especially the Southwest) in the second half of the 19th century and the early 20th century, from the 1850s to the 1910s. Such media typically exaggerated the romance, anarchy, and chaotic violence of the period for greater dramatic effect. This inspired the Western genre of film, along with television shows, novels, comic books, video games, children’s toys and costumes.

As defined by Hine and Faragher, “frontier history tells the story of the creation and defense of communities, the use of the land, the development of markets, and the formation of states.” They explain, “It is a tale of conquest, but also one of survival, persistence, and the merging of peoples and cultures that gave birth and continuing life to America.” Turner himself repeatedly emphasized how the availability of free land to start new farms attracted pioneering Americans: “The existence of an area of free land, its continuous recession, and the advance of American settlement westward, explain American development.” Through treaties with foreign nations and native tribes, political compromise, military conquest, the establishment of law and order, the building of farms, ranches, and towns, the marking of trails and digging of mines, and the pulling in of great migrations of foreigners, the United States expanded from coast to coast, fulfilling the ideology of Manifest destiny. In his “Frontier Thesis” (1893), Turner theorized that the frontier was a process that transformed Europeans into a new people, the Americans, whose values focused on equality, democracy, and optimism, as well as individualism, self-reliance, and even violence.

As the American frontier passed into history, the myths of the West in fiction and film took a firm hold in the imaginations of Americans and foreigners alike. In David Murdoch’s view, America is exceptional in choosing its iconic self-image: “No other nation has taken a time and place from its past and produced a construct of the imagination equal to America’s creation of the West.”

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Custer’s Last Photograph
A vain man, George Armstrong Custer posed for more than 150 photographs in his lifetime, including this last photo, taken of him two months before the 1876 Battle of the Little Big Horn that would end his life.

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35 Beautiful Photos of Julie Christie in the 1960s

Born 1940 in Chabua, Assam, British India, British actress Julie Christie made her professional stage debut in 1957, and her first screen roles were on British television. She is the recipient of numerous accolades including an Oscar, a Golden Globe, a BAFTA Award, and a Screen Actors Guild Award. She has appeared in six films ranked in the British Film Institute’s BFI Top 100 British films of the 20th century, and in 1997, she received the BAFTA Fellowship.

Christie’s breakthrough film role was in Billy Liar (1963). She came to international attention for her performances in Darling (1965), for which she won the Academy Award for Best Actress, and Doctor Zhivago (also 1965), the eighth highest-grossing film of all time after adjustment for inflation.

In the following years, Christie starred in Fahrenheit 451 (1966), Far from the Madding Crowd (1967), Petulia (1968), The Go-Between (1971), McCabe & Mrs. Miller (1971), for which she received her second Oscar nomination, Don’t Look Now (1973), Shampoo (1975), and Heaven Can Wait (1978).

From the early 1980s, Christie’s appearances in mainstream films decreased. She has continued to receive significant critical recognition for her work, including Oscar nominations for the independent films Afterglow (1997) and Away from Her (2007).

Take a look at these gorgeous photos to see the beauty of young Julie Christie in the 1960s.

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50+ Amazing Vintage Photos From the 1940s Volume 1

Miss America contestants in 1945.

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1940s sweethearts

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37 Incredible Mugshots Of Iconic Figures Throughout History

David Bowie, arrested after a performance in Rochester, New York along with three other people (including fellow musician Iggy Pop) for marijuana possession. March 25, 1976.
The charges soon disappeared, but Bowie never performed in Rochester again.

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Pablo Escobar, Arrested in Medellín, Colombia in connection with drug crimes. 1977.

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1938 Police Shootout in Los Angeles

Feb. 17, 1938: Tear gas issues from a home in the 1700 block of East 22nd Street as police trade shots with barricaded suspect George Farley. (J.H. McCrory / Los Angeles Times Archive/UCLA)

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The bodies of a deputy city marshal and his helper — shot and killed by George Farley as they tried to serve an eviction notice on him — lie in front of a barricaded home. They were Deputy Marshal T. Dwight Crittenden and Leon W. Romer, both 60.

Farley, 55, was wounded five times and captured after police stormed the house. He was later convicted of two counts of manslaughter and ordered to serve 10 to 20 years in San Quentin State Prison.

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70 Vintage Photos That Show People Had More Class In The Past

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A Young Harrison Ford

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Las Tapadas Limenas: 17 Amazing Photos Of The Hidden Women of Lima Who Veiled Everything But One Eye in the 19th Century

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Images of people in typical local costume and vocations were among the standard offerings of any 19th century photographic studio. Many such themes are found in the cartes-de-visite produced in Peru during the 1860s, but by far the most important of these types was the tapada, the veiled one. The costume and manner of the tapada were peculiar even in Peru and were associated exclusively with Lima.

These days, society, including men and women, feel restricted by the fickle trends dictated from fashion’s elite. In Lima, however, there was a time when women felt freer, one could say, thanks to fashion and their choice to cover up. These women, who came to be known as Tapadas Limeñas, were even able to prevent a ban on their garments of choice: the saya (skirt) and manto (veil or wrap). The saya was an overskirt, worn tight at the waist and raised to show off feet and ankles. The manto was a thick veil fastened to the back of the waist; from there it was brought over the shoulders and head and drawn over the face so closely that all that was left uncovered was a small triangular space sufficient for one eye to peep through.

The Tapadas Limeñas were found exotic at that time and some men were even attracted by their mysterious appearance. As a consequence, the Church and some other laws prohibited these clothes. Still, women kept on wearing these clothes till deep in the 19th century. They believed it was ethical, but mainly because they didn’t want to give up their freedom.

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Amazing Vintage Photos of London Buses Used to Take British Soldiers to the Western Front During World War I

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When the First World War broke out, the era of the horse bus drew to a close. London’s largest bus operator, the London General Omnibus Company (LGOC), had replaced all its horse buses with motor buses in 1911 and 1912. A few other bus operators continued to use horses until August 1914.

These new vehicles, especially the B type bus, manufactured first by the LGOC and later by the Associated Equipment Company (AEC), were of interest to the War Department because of their reliability. They were built of interchangeable parts, which made roadside repairs much easier. In the first few months of the war, the War Department requisitioned approximately 1,000 London buses, over a third of the LGOC’s fleet.

Some of these vehicles were used for war service in Britain. Others were shipped from large commercial ports, such as Avonmouth, and travelled mainly to France and Belgium, although some went as far as Greece.

The versatility of these motor buses meant they were put to a variety of uses. Many were converted into lorries, with others serving as ambulances, mobile workshops or even mobile pigeon lofts.

However, their most familiar use was as troop carriers, transporting troops between the camps and the front lines. The troop carriers had their windows replaced with wooden planks for safety. Each bus could carry 25 soldiers, which was fewer than the 34 passengers they carried in London. Numbers were halved on the top deck to prevent the bus becoming too top heavy on uneven roads.

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