Bringing You the Wonder of Yesterday – Today
Men’s fashion in the 1970s changed fashion history. Never before did men have so many choices. From wide flare jeans, or cool shorts to platform boots and leisure suits,… They all created considerable diversity of the ’70s men’s fashion.
Check out these cool snaps to see how men’s fashion from the 1970s was like.
The Edwardian era or Edwardian period of British history spanned the reign of King Edward VII, 1901 to 1910, and is sometimes expanded to the start of the First World War. The death of Queen Victoria in January 1901 marked the end of the Victorian era. Her son and successor, Edward VII, was already the leader of a fashionable elite that set a style influenced by the art and fashions of continental Europe. Samuel Hynes described the Edwardian era as a “leisurely time when women wore picture hats and did not vote, when the rich were not ashamed to live conspicuously, and the sun really never set on the British flag.”
The Liberals returned to power in 1906 and made significant reforms. Below the upper class, the era was marked by significant shifts in politics among sections of society that had largely been excluded from power, such as labourers, servants, and the industrial working class. Women started to play more of a role in politics.
The Edwardian era was the last period of British history to be named after the reigning monarch. The subsequent reigns of George V and George VI are not commonly termed Georgian era, this name being reserved for the time of the 18th-century kings of that name. Similarly, Elizabethan era refers solely to the 16th-century queen Elizabeth I and is not extended to the current Elizabeth II.
Mary Louise Brooks (November 14, 1906 – August 8, 1985) was an American film actress and dancer during the 1920s and 1930s. She is regarded today as a Jazz Age icon and as a flapper sex symbol due to her bob hairstyle that she helped popularize during the prime of her career.
At the age of fifteen, Brooks began her career as a dancer and toured with the Denishawn School of Dancing and Related Arts where she performed opposite Ted Shawn. After being fired, she found employment as a chorus girl in George White’s Scandals and as a semi-nude dancer in the Ziegfeld Follies in New York City. While dancing in the Follies, Brooks came to the attention of Walter Wanger, a producer at Paramount Pictures, and was signed to a five-year contract with the studio. She appeared in supporting roles in various Paramount films before taking the heroine’s role in Beggars of Life (1928). During this time, she became an intimate friend of actress Marion Davies and joined the elite social circle of press baron William Randolph Hearst at Hearst Castle in San Simeon.
Dissatisfied with her mediocre roles in Hollywood films, Brooks went to Germany in 1929 and starred in three feature films which launched her to international stardom: Pandora’s Box (1929), Diary of a Lost Girl (1929), and Miss Europe (1930); the first two were directed by G. W. Pabst. By 1938, she had starred in seventeen silent films and eight sound films. After retiring from acting, she fell upon financial hardship and became a paid escort. For the next two decades, she struggled with alcoholism and suicidal tendencies. Following the rediscovery of her films by cinephiles in the 1950s, a reclusive Brooks began writing articles about her film career; her insightful essays drew considerable acclaim. She published her memoir, Lulu in Hollywood, in 1982. Three years later, she died of a heart attack at age 78.
Photos via Tyne & Wear Archives & Museums
Lucille Désirée Ball (August 6, 1911 – April 26, 1989) was an American actress, comedian, model, studio executive, and producer. She was the star and producer of sitcoms I Love Lucy, The Lucy Show, Here’s Lucy, and Life with Lucy, as well as comedy television specials aired under the title The Lucy-Desi Comedy Hour. She was also the first female head of a major Hollywood studio, Desilu Productions, which she also owned.
Ball’s career began in 1929 when she landed work as a model. Shortly thereafter, she began her performing career on Broadway using the stage name Diane (or Dianne) Belmont. She later appeared in films in the 1930s and 1940s as a contract player for RKO Radio Pictures, being cast as a chorus girl or in similar roles, with lead roles in B-pictures and supporting roles in A-pictures. During this time, she met Cuban bandleader Desi Arnaz, and the two eloped in November 1940. In the 1950s, Ball ventured into television. In 1951, she and Arnaz created the sitcom I Love Lucy. The same year, Ball gave birth to their first child, Lucie Arnaz, followed by Desi Arnaz Jr. in 1953. Ball and Arnaz divorced in May 1960, and she married comedian Gary Morton in 1961.
Following the end of I Love Lucy, Ball produced and starred in the Broadway musical Wildcat from 1960 to 1961. The show received lukewarm reviews and had to be closed when Ball became ill for several weeks. After Wildcat, Ball reunited with I Love Lucy co-star Vivian Vance for The Lucy Show, which Vance left in 1965. The show continued, with Ball’s longtime friend and series regular Gale Gordon, until 1968. Ball immediately began appearing in a new series, Here’s Lucy, with Gordon, frequent show guest Mary Jane Croft, and Lucie and Desi Jr.; this program ran until 1974.
In 1962, Ball became the first woman to run a major television studio, Desilu Productions, which produced many popular television series, including Mission: Impossible and Star Trek. Ball did not retire from acting completely, and in 1985, she took on a dramatic role in the television film Stone Pillow. The next year, she starred in Life with Lucy, which was, unlike her other sitcoms, not well-received; the show was cancelled after three months. She appeared in film and television roles for the rest of her career until her death in April 1989 from an abdominal aortic aneurysm at the age of 77.
Ball was nominated for 13 Primetime Emmy Awards, winning five times. In 1960, she received two stars for her work in film and television on the Hollywood Walk of Fame. In 1977, Ball was among the first recipients of the Women in Film Crystal Award. She was also the recipient of the Golden Globe Cecil B. DeMille Award in 1979, was inducted into the Television Hall of Fame in 1984, received the Lifetime Achievement Award from the Kennedy Center Honors in 1986, and the Governors Award from the Academy of Television Arts & Sciences in 1989.
Here’s a collection of some of fascinating vintage portraits of women of color taken during the Victorian Era.
According to Downtown LA Life, photos of “Women of Color” from this era are hard to come by, especially “family” photographs. A couple of these photos were taken when there was still slavery in the United States.
The photographs date from 1860 to 1901, and they show some of the gorgeous and diverse ways that people of color have existed throughout history.
