Bringing You the Wonder of Yesterday – Today
Douglas County is the seventh-most populous of the 64 counties of the U.S. state of Colorado. The county seat is Castle Rock.
Douglas County is part of the Denver-Aurora-Lakewood, CO Metropolitan Statistical Area. It is located midway between Colorado’s two largest cities, Denver and Colorado Springs.
These amazing photos from Archives and Local History at DCL that captured everyday life of Douglas County, Colorado in the late 19th century.
Born 1921 in Glasgow, Scottish film, theatre and television actress Deborah Kerr had her first film role in the British production Contraband in 1940. During her career, she won a Golden Globe Award for her performance as Anna Leonowens in the musical film The King and I (1956) and a Sarah Siddons Award for her performance as Laura Reynolds in the play Tea and Sympathy (a role she originated on Broadway). She was also a three-time winner of the New York Film Critics Circle Award for Best Actress.
Kerr was nominated six times for the Academy Award for Best Actress, more than any other actress without ever winning. In 1994, however, having already received honorary awards from the Cannes Film Festival and BAFTA, she received an Academy Honorary Award with a citation recognising her as “an artist of impeccable grace and beauty, a dedicated actress whose motion picture career has always stood for perfection, discipline and elegance”.
As well as The King and I (1956), her films include An Affair to Remember, From Here to Eternity, Quo Vadis, The Innocents, Black Narcissus, Heaven Knows, Mr. Allison, King Solomon’s Mines, The Life and Death of Colonel Blimp, The Sundowners, and Separate Tables.
Kerr was made a Commander of the Order of the British Empire (CBE) in 1998, but was unable to accept the honour in person because of ill health. She was also honoured in Hollywood, where she received a star on the Hollywood Walk of Fame at 1709 Vine Street for her contributions to the motion picture industry.
Kerr died aged 86 in 2007 at Botesdale, a village in county of Suffolk, England, from the effects of Parkinson’s disease. Less than three weeks later, her husband Peter Viertel died of cancer.
Take a look at these black and white photos to see the glamorous beauty of Deborah Kerr in the 1940s and 1950s.
These death-defying vintage photos show workers goofing around in the past. Some of them are just doing their jobs. Their scary, vertigo-inducing jobs.
Here’s a series of amazing color pictures made by LIFE photographer Loomis Dean in the late 1950s, featuring cabaret’s dancers at the Moulin Rouge. It is there that where countless men and women down through the decades have enjoyed extravagant (and cheerfully risqué) song-and-dance numbers while soaking in the atmosphere of an entertainment mecca. It is there that the energetic and, for many, scandalous cancan dance found its highest and most popular form of expression.
The Dust Bowl refers to the drought-stricken Southern Plains region of the United States, which suffered severe dust storms during a dry period in the 1930s and early 1940s. As high winds and choking The Dust Bowl refers to the drought-stricken Southern Plains region of the United States, which suf dust swept the region from Texas to Nebraska, people and livestock were killed and crops failed across the entire region. The Dust Bowl intensified the crushing economic impacts of the Great Depression and drove many farming families on a desperate migration in search of work and better living conditions.
The Dust Bowl was caused by several economic and agricultural factors, including federal land policies, changes in regional weather, farm economics and other cultural factors. After the Civil War, a series of federal land acts coaxed pioneers westward by incentivizing farming in the Great Plains.
Starting as a 17 year old chorus girl, American stage and film actress Elsie Louise Ferguson (1885-1961) progressed through a number of productions to become a leading lady and Broadway star by 1909.
In 1917 with some persuasion in the form of a $5,000 a week contract, Elsie Ferguson began acting in films. Her salary at Paramount paid her an extra $1,000 per day of filming. After appearing in about 25 films she returned to the stage. She did however make one final sound film in 1930. Her final appearance on Broadway was in 1943.
She was married four times, firstly to estate agent Frederick Chamberlain Hoey (1865-1933) in 1908, they divorced in 1914. She then married banker Thomas Benedict Clarke (1877-1858) in 1916 they divorced in 1923. Thirdly she married actor and co-star Frederick George Worlock (1886-1973) in 1924, they divorced in 1930. Lastly she married British naval captain Victor Augustus Seymour Egan (1875-1956) in 1934 until his death in 1956.
Elsie died in 1961 in New London, Connecticut at the age of 76.
The photographs were taken by an immigration official named Augustus Frederick Sherman. He took photographs of immigrants who were being detained for further interrogation, whether for medical or other reasons. Some would be permitted to stay while others would be forced to return to the homes they risked so much to leave.
Sherman requested that his subjects open their trunks and wear the traditional dress of their homelands, resulting in more than 200 striking photographs of Guadeloupeans, Bavarians, Romanians and Laplanders—men and women whose chief similarity was their wish to become Americans.
To help bring out the vitality of these historic images, TIME commissioned freelance photo editor Sanna Dullaway to colorize a selection of them.
(Photos by William Morris Grundy)
Charro! is a 1969 American western film starring Elvis Presley shot on location at Apacheland Movie Ranch and Old Tucson Studios in Arizona. Uniquely, Presley did not sing on-screen, and the film featured no songs at all except for the main title theme, which was played over the opening credits. It was also the only movie in which Presley wore a beard.
With its gritty look, violent antihero, and cynical point of view, Charro! was obviously patterned after the grim Italian westerns of the 1960s. Elvis’ character, Jess Wade, is costumed similarly to Clint Eastwood’s notorious Man with No Name from Sergio Leone’s Italian westerns.
Both wore a scruffy beard and dust-covered western garb, and both kept a well-worn cigar in their mouths. The music in Charro! was scored by Hugo Montenegro, who was responsible for the memorable score of The Good, the Bad, and the Ugly. Unfortunately, director Charles Marquis Warren was no match for Sergio Leone, and Charro! suffers from poor production values.
At the time, much was made about the absence of songs in the film, as though that fact proved Charro! was a serious effort. Advertisements for the film declared Charro! featured “a different kind of role… a different kind of man.” Elvis granted more interviews and generated more publicity for Charro! than he had for any film in a long time. One interview quoted him as saying, “Charro! is the first movie I ever made without singing a song. I play a gunfighter, and I just couldn’t see a singing gunfighter.” Eventually, Elvis did agree to sing the title tune, but there are no songs within the body of the film.
Charro! was filmed in the late summer of 1968 after Elvis’ comeback special had been shot for television, though the special would not air until December. Elvis seemed to have taken stock of his career that year: He recorded music that was not merely fodder for soundtrack albums, and he starred in a prestigious television special. Perhaps Elvis was hoping to upgrade his acting career as well by appearing in a completely different type of film. Unfortunately, the film was a dismal critical failure; much of the blame was placed at the feet of director Charles Marquis Warren. Warren had been a writer, director, and producer for several western television series during the 1960s. Though he had not worked in the cinema since the 1950s, he chose to produce, direct, and write the screenplay for Charro!
