Bangkok is the capital and most populous city of Thailand. The city occupies 1,568.7 square kilometres (605.7 sq mi) in the Chao Phraya River delta in central Thailand.
The city grew rapidly during the 1960s through the 1980s and now exerts a significant impact on Thailand’s politics, economy, education, media and modern society.
The city is known for its street life and cultural landmarks, as well as its red-light districts. The Grand Palace and Buddhist temples including Wat Arun and Wat Pho stand in contrast with other tourist attractions such as the nightlife scenes of Khaosan Road and Patpong.
Bangkok is among the world’s top tourist destinations, and has been named the world’s most visited city in several rankings.
Take a look at these old photos to see what everyday life of Bangkok looked like in the 1960s.
Ty Cobb’s fierce slide at the end of a steal of third base, 1909.“Baseball is the only field of endeavor where a man can succeed three times out of ten and be considered a good performer.” – Ted WilliamsYankee Mickey Mantle flinging his batting helmet away in disgust during bad day at bat 1965On September 30, 1927, Babe Ruth hits his 60th home run of the season to break his own major-league record.Jackie Robinson on his way toward stealing home. Game 1 of ’55 Series.Babe Ruth and Lou Gehrig pose with a fan at Spring Training. 1934Babe Ruth had 10 career steals of home. More than Rickey Henderson, Lou Brock, & Tim Raines had combined (9).Joe DiMaggio and Lou Gehrig doing some spring training workout warm ups.New York Yankees center fielder Mickey Mantle and San Francisco Giants center fielder Willie Mays chat before Game 1 of the 1962 World Series.Stan Musial greeted by Jackie Robinson (42) during a game.Lou Gehrig, Tris Speaker, Ty Cobb, and Babe Ruth, 1928Lou Gehrig sliding into home plate in 1925Roger Maris’ 61st Home Run. October 1st, 1961.Roger Maris, Yogi Berra, and Mickey Mantle 1961Boston Red Sox Jimmie Foxx and New York Yankees Joe DiMaggio on the dugout railing at Fenway Park. 1938(l to r:) Boston Red Sox Jimmy Foxx points towards the outfield in front of unknown home plate umpire as New York Yankee Joe DiMaggio walks toward home plate at Fenway Park. 1937Jackie Robinson of the Brooklyn Dodgers signs autographs for kids at Braves Field. 1949Unknown Philadelphia Phillies batter connects against the Boston Bees at Braves Field. 1939Boston Red Sox base runner “Pinky” Higgins crossing home plate against Boston Bees in annual City Series pre-season exhibition game at Braves Field. 1937Boston Red Sox player/manager Joe Cronin crosses home plate in front of Washington Senators catcher Rick Ferrell at Fenway Park.1935St. Louis Cardinals catcher and Dizzy Dean walking towards the first base dugout at Braves Field.Johnny Evers – Chicago Cubs 1910.“He (Shoeless Joe Jackson) was the finest natural hitter in the history of the game.” – Ty Cobb. Shown in 1913.Ty Cobb slides into third base, August 16, 1924Tigers great Ty Cobb “slides” into an opposing catcher. 1911.Honus Wagner, Pittsburgh Pirates, 1914.In 1938 Cincinatti Reds pitcher Johnny Vander Meer became the only pitcher to ever throw back-to-back no-hitters.Al Kaline of the Detroit Tigers,tosses bat after hitting home run at Tiger Stadium in 1955.May 23, 1926 – Chicago Cubs Hack Wilson became the first player to hit a home run off the Wrigley Field scoreboard.Kid Gleason and Eddie Collins 1922John Martina, Washington Senators. 1924
These terrible album covers will make you laugh and then violently cringe!
Classical musicians have long had a reputation for being the worst dressed and least image-conscious people on Planet Culture. Weird, funny, alarming and perplexing all at the same time. And below are 30 of the very worst classic album covers of all time.
Born 1925 in Denver, Colorado, American actress and singer Barbara Bates studied ballet and worked as a teen fashion model. The shy teen was persuaded to enter a local beauty contes. Not only did she win but meeting Cecil Coan, a United Artists publicist, during that Hollywood trip altered the course of her life forever.
In 1944, Bates signed a contract with Universal Pictures after Cecil Coan introduced her to producer Walter Wanger. She fell in love with Coan, who was married with two sons and two daughters. In 1945, Coan divorced his wife and secretly married Bates days later.
In 1947, Warner Bros. signed her and highlighted her “girl-next-door” image and her acting career took off. She appeared with some of the biggest stars of the day including Bette Davis in June Bride and Danny Kaye in The Inspector General.
In 1949, Bates was fired by Warner Brothers, but quickly signed a contract with 20th Century-Fox later that year. Bates auditioned for the small role of Phoebe in Fox’s upcoming All About Eve and impressed the producers and was given the part. She made a short but important appearance as the devious schemer, Phoebe, at the end of the film. This memorable final scene left critics and audiences intrigued by the young actress, who they thought would star in a sequel to All About Eve.
After her appearance in All About Eve, Bates co-starred in Cheaper by the Dozen, and its sequel Belles on Their Toes, with Jeanne Crain and Myrna Loy. In 1951, she landed a role opposite MacDonald Carey and Claudette Colbert in the comedy Let’s Make It Legal. She co-starred with Donna Reed as the love interests of Dean Martin and Jerry Lewis in the 1953 hit comedy The Caddy.
Barbara was not heard of again until her March 1969 death. It was learned that she had retreated to her hometown of Denver and worked in various minor job capacities, including stints as a secretary, dental assistant and hospital aide. Her much older husband and chief supporter, Cecil Coan, died of cancer in January of 1967, and Barbara fell apart.
Although she remarried in December of 1968 to a childhood friend, sportscaster William Reed, she remained increasingly despondent and committed suicide just four months later. She was found dead in her car by her mother in her mother’s garage of carbon monoxide poisoning. Another sad and tragic ending to a promising Hollywood beauty who seemed destined to having it all.
Take a look at these beautiful photos to see the beauty of young Barbara Bates in the 1940s and 1950s.
Prohibition in the United States was a nationwide constitutional ban on the production, importation, transportation, and sale of alcoholic beverages from 1920 to 1933. Before it, these old pictures that captured people drinking beer in the early 20th century.
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Bessie Love, born Juanita Horton on September 10, 1898, in Midland, Texas, was a prominent actress during the 1920s. Her career began in the silent film era, and she quickly became known for her roles as innocent young girls and wholesome leading ladies. Love’s petite frame and delicate features made her a perfect fit for the flapper image that was popular during the Roaring Twenties. Her performances captivated audiences and solidified her status as one of the era’s most beloved actresses.
Love’s journey to stardom began when she moved to Hollywood with her family. She was discovered by pioneering film director D.W. Griffith, who placed her under personal contract. Griffith’s associate, Frank Woods, gave her the stage name Bessie Love, believing it would be easy for audiences to remember and pronounce. Love’s early roles in films such as “The Flying Torpedo” (1916) and “The Good Bad-Man” (1916) showcased her talent and versatility, paving the way for her successful career in the 1920s1.
During the 1920s, Love starred in numerous films that highlighted her acting prowess. One of her most notable performances was in “The Broadway Melody” (1929), a musical film that earned her a nomination for the Academy Award for Best Actress. This film was significant not only for Love’s career but also for the film industry, as it was one of the first sound films to win the Academy Award for Best Picture. Love’s ability to transition from silent films to talkies demonstrated her adaptability and ensured her continued success in the evolving industry.
In addition to her work in “The Broadway Melody,” Love appeared in other successful films throughout the decade. Her roles in “The Matinee Idol” (1928) and “The Lost World” (1925) further cemented her reputation as a talented and versatile actress. Love’s performances were often praised for their authenticity and emotional depth, making her a favorite among both audiences and critics. Her ability to convey complex emotions with subtlety and grace set her apart from many of her contemporaries.
Despite her success, Love faced challenges in her personal life. She married film producer William Hawks in 1929, but the marriage ended in divorce in 1936. The pressures of maintaining a successful career in Hollywood, coupled with the demands of her personal life, took a toll on Love. However, she remained resilient and continued to work in the film industry, even as the popularity of silent films waned and talkies became the norm.
As the 1920s came to a close, Love’s career began to decline. The advent of sound films brought new challenges, and many silent film stars struggled to adapt. However, Love’s talent and determination allowed her to continue working in the industry, albeit in smaller roles. She eventually moved to England, where she continued to act in films, theatre, and television until her retirement.
Bessie Love’s contributions to the film industry during the 1920s were significant. Her performances in both silent and sound films showcased her versatility and talent, making her one of the era’s most beloved actresses. Despite the challenges she faced, Love’s resilience and dedication to her craft ensured her lasting legacy in Hollywood history. Her work continues to be celebrated by film enthusiasts and historians, who recognize her as a pioneering figure in the early days of cinema.
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When Hitler was defeated by the Allies in World War II, he left behind almost no post-war plans. It had been tantamount to treason under the Nazi regime to even mention the possibility of defeat, and by the end, practically every single resource available had been poured into the war effort. What remained after Germany’s surrender was a grieving populace mourning the loss of millions of their people and a countryside that had been shelled, bombed, and trampled by tanks and troops for years.
Life in post-war Germany was very, very difficult for a very long time, and the country’s rise out of that brutal era has its own word in the German language. They call it the “Wirtschaftswunder,” which translates to the “Economic Miracle.”
Their situation after the defeat of the Nazis was so dire that nothing short of a miracle – and the back-breaking efforts of the Allies and the hardy Berliners themselves – could have saved the country. It was also one of the most unprecedented situations in world history; no cities have been through anything quite like Germany after World War II.
These amazing photos show what Berlin, the German capital looked like in 1946, just after WWII.
