Bringing You the Wonder of Yesterday – Today
Trains were one of the main and essential means of transportation in the early 20th century. Not only important for the military, transportation of goods, it was also popular for traveling.
These interesting snapshots show what passengers on the trains in the early 20th century looked like.
Stunning Italian actress Virna Lisi, a brief but lovely Hollywood import in the 1960’s, was merely one of a plethora of European movie beauties who proved over the course of their long careers, that they were capable of more than just visual performances.
Born Virna Lisa Pieralisi on November 8, 1936, she began her film career as a 17-year-old teen with a co-starring part with the musical drama …e Napoli canta! (1953) (Naples Sings!). Cast initially for her photographic beauty, she gained more experience in such early pictures as Lettera napoletana (1954) and La corda d’acciaio (1954) before earning her first top-billed movie lead in Piccola santa (1954) opposite Rosario Borelli. Other late 50’s/early 60’s films that helped steam up her image included New Moon (1955), Eighteen Year Olds (1955), La rossa (1955), The Doll That Took the Town (1957), Lost Souls (1959) opposite Jacques Sernas, Don’t Tempt the Devil (1963) (Don’t Tempt the Devil), Sua Eccellenza si fermò a mangiare (1961) (His Excellency Stayed to Dinner], the Italian-made spectacle, Duel of the Titans (1961) and an innocent role in the French-made Eva (1962) starring the scheming Jeanne Moreau in the title role.
The pert and sexy star later made a decorative dent in late 1960’s Hollywood as a tempting blue-eyed blonde opposite the likes of Jack Lemmon in How to Murder Your Wife (1965), Frank Sinatra in Assault on a Queen (1966) and Tony Curtis in Not with My Wife, You Don’t! (1966). Confined once again to the same type of glamour roles (she turned down the title role of “Barbarella”), she returned to Europe within a couple of years but hardly fared better with such nothing special movies as Anyone Can Play (1967), The Girl Who Couldn’t Say No (1968), The Christmas Tree (1969), The Statue (1971), Bluebeard (1972) and White Fang (1973) and its sequel Challenge to White Fang (1974).
Come middle age, however, a career renaissance occurred for Virna. She began to be perceived as more than just a tasty dish and was given a wide variety of quality mature performances. As the stature of her films improved, she began winning foreign awards right and left for such European pictures as Beyond Good and Evil (1977), The Cricket (1980), Time for Loving (1983), Merry Christmas… Happy New Year (1989) and Va’ dove ti porta il cuore (1996) (Follow Your Heart). It all culminated in the lifetime role of the malevolent “Caterina de Medici” in Queen Margot (1994) for which she captured both the César and Cannes Film Festival awards, not to mention the Italian Silver Ribbon award.
Virna continued reigning supreme on TV as a character lead and support player into the millennium with parts in such TV movies as the title role in Anna’s World (2004) and Donne sbagliate (2007) (Steel Women) as well as Italian TV series work. Starring as the matriarch in the excellent family film drama The Best Day of My Life (2002), Virna would find her last excellent movie role in the award-winning dramedy Latin Lover (2015). Having passed away on December 14, 2014, at age 78, of lung cancer, the actress received a couple of award nominations posthumously for her work here. Survived by her son Corrado, her longtime husband (from 1960), architect Franco Pesci (1934-2013), died a year earlier. (IMDB)
The city of Warsaw, capital of Poland, flanks both banks of the Vistula River. A city of 1.3 million inhabitants, Warsaw was the capital of the resurrected Polish state in 1919.
Before World War II, the city was a major center of Jewish life and culture in Poland. Warsaw’s prewar Jewish population of more than 350,000 constituted about 30 percent of the city’s total population. The Warsaw Jewish community was the largest in both Poland and Europe, and was the second largest in the world, second only to New York City.
Following the German invasion of Poland on September 1, 1939, Warsaw suffered heavy air attacks and artillery bombardment. German troops entered Warsaw on September 29, shortly after its surrender.
Take a look at the capital of Poland in the 1930s to see everyday life of Warsaw before World War II.
After the shortages of World War II, women were ready for a little luxury. And brides didn’t want to skimp on the lace or fabric.
In 1947, French designer Christian Dior caused a sensation when he introduced his “new look,” hour-glass dresses with long, flowing skirts – skirts made of yards and yards of cloth.
The billowing skirts and wasp-waist designs evolved in the 1950s and may have peaked around 1956. There are also many other notable designs in this period.
Check out these glamorous photos to see what brides looked like in the 1950s.
(Photos from Tyne & Wear Archives & Museums)
Society changed quickly after World War I: customs, technology, manufacturing all rocketed into the 20th century. Fashion is shaped and influenced by the society and events which surround it.
1920s fashion was the perfect blend between style and function. Beautiful clothes that allowed women to move.
“Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” – Coco Chanel
1920s fashion is still famous because it was a huge shift from the previous era. Even 90 years after The Roaring Twenties ended, almost everyone still recognizes the style: Cloche hats, flapper dresses, high heeled shoes, men’s fashion (suits and sportswear),…
Take a look at these photos of couples to see what the 1920s fashion styles looked like.
The Civil War is the central event in America’s historical consciousness. While the Revolution of 1776-1783 created the United States, the Civil War of 1861-1865 determined what kind of nation it would be. The war resolved two fundamental questions left unresolved by the revolution: whether the United States was to be a dissolvable confederation of sovereign states or an indivisible nation with a sovereign national government; and whether this nation, born of a declaration that all men were created with an equal right to liberty, would continue to exist as the largest slaveholding country in the world.
Northern victory in the war preserved the United States as one nation and ended the institution of slavery that had divided the country from its beginning. But these achievements came at the cost of 625,000 lives–nearly as many American soldiers as died in all the other wars in which this country has fought combined. The American Civil War was the largest and most destructive conflict in the Western world between the end of the Napoleonic Wars in 1815 and the onset of World War I in 1914.
The Civil War started because of uncompromising differences between the free and slave states over the power of the national government to prohibit slavery in the territories that had not yet become states. When Abraham Lincoln won election in 1860 as the first Republican president on a platform pledging to keep slavery out of the territories, seven slave states in the deep South seceded and formed a new nation, the Confederate States of America. The incoming Lincoln administration and most of the Northern people refused to recognize the legitimacy of secession. They feared that it would discredit democracy and create a fatal precedent that would eventually fragment the no-longer United States into several small, squabbling countries.
The event that triggered war came at Fort Sumter in Charleston Bay on April 12, 1861. Claiming this United States fort as their own, the Confederate army on that day opened fire on the federal garrison and forced it to lower the American flag in surrender. Lincoln called out the militia to suppress this “insurrection.” Four more slave states seceded and joined the Confederacy. By the end of 1861 nearly a million armed men confronted each other along a line stretching 1200 miles from Virginia to Missouri. Several battles had already taken place–near Manassas Junction in Virginia, in the mountains of western Virginia where Union victories paved the way for creation of the new state of West Virginia, at Wilson’s Creek in Missouri, at Cape Hatteras in North Carolina, and at Port Royal in South Carolina where the Union navy established a base for a blockade to shut off the Confederacy’s access to the outside world.
But the real fighting began in 1862. Huge battles like Shiloh in Tennessee, Gaines’ Mill, Second Manassas, and Fredericksburg in Virginia, and Antietam in Maryland foreshadowed even bigger campaigns and battles in subsequent years, from Gettysburg in Pennsylvania to Vicksburg on the Mississippi to Chickamauga and Atlanta in Georgia. By 1864 the original Northern goal of a limited war to restore the Union had given way to a new strategy of “total war” to destroy the Old South and its basic institution of slavery and to give the restored Union a “new birth of freedom,” as President Lincoln put it in his address at Gettysburg to dedicate a cemetery for Union soldiers killed in the battle there.
For three long years, from 1862 to 1865, Robert E. Lee’s Army of Northern Virginia staved off invasions and attacks by the Union Army of the Potomac commanded by a series of ineffective generals until Ulysses S. Grant came to Virginia from the Western theater to become general in chief of all Union armies in 1864. After bloody battles at places with names like The Wilderness, Spotsylvania, Cold Harbor, and Petersburg, Grant finally brought Lee to bay at Appomattox in April 1865. In the meantime Union armies and river fleets in the theater of war comprising the slave states west of the Appalachian Mountain chain won a long series of victories over Confederate armies commanded by hapless or unlucky Confederate generals. In 1864-1865 General William Tecumseh Sherman led his army deep into the Confederate heartland of Georgia and South Carolina, destroying their economic infrastructure while General George Thomas virtually destroyed the Confederacy’s Army of Tennessee at the battle of Nashville.
By the spring of 1865 all the principal Confederate armies surrendered, and when Union cavalry captured the fleeing Confederate President Jefferson Davis in Georgia on May 10, 1865, resistance collapsed and the war ended. The long, painful process of rebuilding a united nation free of slavery began. (battlefields.org)
Amsterdam, beautiful city built on pilings. An inexhaustible source of subject matter for innumerable photographers. Not that it’s such a megalomaniac capital – it’s more of a village with urban traditions. But it’s that smallness which often provides photography with the impact and attention it deserves.
Kees Scherer (1920-1993) was born in the Amsterdam working-class district called ‘de Jordaan’. Shortly after WWII, he began working as a freelance photographer and reached the pinnacle of photojournalism with high-profile reports about the flood disaster in the province of Zeeland (1953) and the Hungarian uprising (1956).
Scherer initiated World Press Photo in 1955 with Bram Wisman. In addition to his extensive work in colour, Scherer’s early work in black and white has also been receiving increasing attention in recent years. He depicted his favourite cities in exhaustive detail, namely Paris, New York, and especially Amsterdam.
Here is a collection of impressive black and white photos that Scherer documented everyday life of Amsterdam in the 1950s.
(Photos by Kees Scherer)
Dame Angela Brigid Lansbury DBE (born October 16, 1925) is an English-American-Irish actress who has appeared in theatre, television, and film. Her career has spanned seven decades, much of it in the United States, and her work has attracted international acclaim.
Lansbury was born to Irish actress Moyna Macgill and English politician Edgar Lansbury, an upper-middle-class family in Regents Park, central London; her paternal grandfather was the British Labour Party leader George Lansbury. To escape the Blitz, in 1940 she moved to the United States with her mother and two brothers, and studied acting in New York City. Proceeding to Hollywood in 1942, she signed with Metro-Goldwyn-Mayer and obtained her first film roles, in Gaslight (1944) and The Picture of Dorian Gray (1945), earning her two Oscar nominations and a Golden Globe Award. She appeared in eleven further films for MGM, mostly in supporting roles, and after her contract ended in 1952 she began supplementing her cinematic work with theatrical appearances. Although largely seen as a B-list star during this period, her appearance in the film The Manchurian Candidate (1962) received widespread acclaim and is cited as being one of her finest performances. Moving into musical theatre, Lansbury finally gained stardom for playing the leading role in the Broadway musical Mame (1966), which earned her a range of awards.
Amid difficulties in her personal life, Lansbury moved from California to County Cork, Ireland in 1970, and continued with a variety of theatrical and cinematic appearances throughout that decade. These included leading roles in the stage musicals Gypsy, Sweeney Todd, and The King and I, as well as in the hit Disney film Bedknobs and Broomsticks (1971). Moving into television, she achieved worldwide fame as fictional writer and sleuth Jessica Fletcher in the American whodunit series Murder, She Wrote, which ran for twelve seasons from 1984 until 1996, becoming one of the longest-running and most popular detective drama series in television history. Through Corymore Productions, a company that she co-owned with her husband Peter Shaw, Lansbury assumed ownership of the series and was its executive producer for the final four seasons. She also moved into voice work, thereby contributing to animated films such as Disney’s Beauty and the Beast (1991) and 20th Century Fox’s Anastasia. Since then, she has toured in a variety of international theatrical productions and continued to make occasional film appearances.
Lansbury has received an Honorary Oscar and has won five Tony Awards, six Golden Globes, and an Olivier Award. She has also been nominated for numerous other industry awards, including the Academy Award for Best Supporting Actress on three occasions, and various Primetime Emmy Awards on eighteen occasions. In 2014, Lansbury was made a Dame Commander of the Order of the British Empire by Queen Elizabeth II. She has been the subject of three biographies.
