Vintage Photographs of Zorita – the Classic Burlesque Snake Dancer, in the 1930s and 1940s

The original bad girl of burlesque, and the dancer who popularized the use of live snakes, Zorita was a 1940s glamour girl. Known for her original and raunchy dances, Zorita was recognizable by the blonde streaks she often had in her black hair.

Born Kathryn Boyd in Youngstown, Ohio in 1915, she was adopted by a strict Methodist couple. She was said to be “built to the hilt” for her age, and by the time she was 15 she began working at stag parties and nudist colony events at the San Diego Worlds Fair. Boyd also entered beauty pageants and by the time she was 20 she was turned onto the burlesque world.

Zorita became well known for her unique and naughty acts. In one number she danced in front of a rhinestone spiderweb, while the hands of an unseen spider gradually removed her clothing. Another act was a kinky take on a vaudeville staple – the Half and Half. Taking gender bending to new levels, she dressed one half of her body as a male groom, and the other as a female bride. Always keeping one profile to the audience, the groom and bride gradually removed each others clothing, leading to a climactic “wedding night” romp.

With her exotic fierce looks it is no wonder Zorita became popular, and adding the danger and eroticism of the snakes, the audiences just went wild. She used the movement of the snakes, named Elmer and Oscar, to emphasize her own. In her popular act “The Consummation of the Wedding of the Snake”, she stripped while holding an 8 foot boa constrictor.

What she did with these snakes eventually landed her in trouble. Possibly as an attempt to censor Zorita’s acts, in February 1949 she was arrested by the New York ASPCA claiming she had been cruel to animals. In the above photo she sits in a courtroom with her 10-foot rock python and 20 month old daughter Tawny (who was said to have been put in a drawer while her mother performed in order to keep her safe). The claim was that Zorita had taped the mouths of her snakes before each performance. She was released on $1500 bail, but all her snakes were confiscated.

Although Zorita dated men, and admitted she only spent time with the ones she could use, she was a lesbian and never married. Her unrequited love was fellow performer Sherry Britton, who she pursued relentlessly to no avail.

Retiring from burlesque in 1954, Zorita kept herself busy owning several burlesque clubs in New York and Miami, often passing on tips and tricks. While she taught burlesque routines to others, she refused to tell the secrets of her signature snake stripteases. She quite the scene entirely in 1974, and moved to Florida where she bred Persian cats.

She died on 12 November 2001, aged 86.

50 Amazing Colorized Photos of World War 1

Troops of the British 57th and 59th Divisions (XI Corps) entering Lille, France. October 18, 1918.
New Zealanders at Pont-a-Pierres, Beaudignies in France, moving wounded German soldiers onto stretchers. 2 November 1918
Soldiers pose for the camera outside their tents.
A soldier poses for a photo on the front line.
German and Canadian wounded receive hot coffee and biscuits from a YMCA hut near the front lines. November 24, 1917
Soldiers of the 5th London Rifle Brigade with German Saxon regimental troops during the truce at Ploegsteert, Belgium.
Christmas of 1914.
A German prisoner helps British wounded make their way to a dressing station near Bernafay Wood following fighting on Bazentin Ridge – Battle of the Somme. 19 July 1916
German AV-7 tank “Adalbert” with two of its crew being transported upon a railway flat car. Spring 1918
Soldiers of an Australian 4th Division field artillery brigade on a duckboard track passing through Chateau Wood, near Hooge in the Ypres salient, 29 October 1917.
Two German soldiers in a farm house in Gouzeaucourt, France in 1915. The large village was occupied by the Germans until the British managed to invade it in early 1917
Russian soldiers on the Eastern Front take aim in a trench while wearing chlorine gas masks.
A carrier pigeon being released from a port-hole in the side of a tank near Albert, during the Battle of Amiens, 9 August 1918.
Two Australian Soldiers relaxing under an ‘Elephant Iron’ shelter at Westhoek Ridge, Flanders, Belgium. Sept. 1917
American medics of the 103rd and 104th Ambulance Companies give medical attention to wounded German prisoners. Sept. 1918
German prisoners captured in the battle of Menin Road Ridge wait their turn to be vaccinated at Locre in Belgium. Sept. 1917
A British wounded and German prisoner sharing a cigarette at a 21st Division Advanced Dressing Station, near Épehy, Somme. Sept. 1918
Troops of the 52nd (Lowland) Division with captured German MG 08/15 machine guns. In Quéant, a commune in the Pas-de-Calais. 6 September 1918.
An Australian dressing station on the Menin Road during the Third Battle of Ypres (Passchendaele), 20 September 1917.
Leutnant Werner Voss, Staffelführer of Jasta 10 in his Fokker F.1, September 1917. (KIA 23/9/17 aged 20)
A Canadian miner resting after a heavy night’s work, 1918
An exhausted British soldier asleep in a front line trench at Thiepval, Somme. September 1916.
A Lewis gun is manned by Indian troops in Mesopotamia in 1918.
New Zealand soldiers prepare to fire a cannon in Le Quesnoy, France in 1918.
Battle of the Drocourt-Quéant Line. Mule in a limber team collapsed after being hit by a shell splinter near the village of Remy. 2 September 1918
German MG 08 anti-aircraft machine gun post set up in a shell hole.
Flanders Front, September 1917
A German A7V Sturmpanzerwagen (Nº504 “Schnuck”) captured by the New Zealand Division at Frémicourt, Nord-Pas-de-Calais on the 31 August 1918 (photo taken 18/9/18).
A soldier with the Royal Engineers Signals Section putting a message into the cylinder attached to the collar of a dog at the Central Depot of the Messenger Dog Service at Étaples-sur-Mer. 28 August 1918
Stretcher-bearers (SB) of the 6th Battalion, Seaforth Highlanders asleep. 29 August 1918
Troops of the Duke of Cornwall’s Light Infantry who captured this trench during the Battle of Messines, 11th June 1917. They are wearing German helmets or caps.
A British Chaplain saying a prayer over a dying German, near Epehy in France, 18 September 1918.
Wounded of the 27th Brigade, 9th Division, at a regimental aid post near Meteren following the formation’s successful attack on Outtersteene Ridge, 18 August 1918.
A Scots Guardsman giving a wounded German prisoner a drink. Near Courcelle-le-Comte. 21 August 1918
Battle of Amiens.
British and German wounded at a dressing station of the 58th (London) Division near Chipilly, Somme. 10 August 1918
An Australian Artillery gunner minding a baby outside his billet in Adinkerke, Belgium. 6 August 1917
German prisoners carrying a wounded Canadian 3rd Division soldier to the rear during the second day of the Battle of Amiens. 9 August 1918
British soldier giving a cigarette to a badly wounded German lying in a ditch at Pilckem. The Battle of Pilckem Ridge. 31 July 1917
Stokes (3-inch) 81mm Light Infantry Mortar team in action during the 100 days offensive in 1918.
Members of the Royal Newfoundland Regiment having some ice cream in Ayr, Scotland. July 1915
Gunners of the Royal Garrison Artillery moving an 8-inch howitzer Mark V into position during the Battle of the Somme at Becordel, July 1916.
Canadian 42nd Battalion – The Royal Highlanders of Canada (Black Watch) resting in Grand Place, Mons, Belgium.
British troops survey the battle scene in France.
A group of Australian and New Zealander soldiers with motorcycles at Gallipoli in 1915
Indian bicycle troops during the Battle of the Somme which took place between 1 July and 18 November 1916 on both sides of the upper reaches of the River Somme in France. More than three million men fought in the battle and one million men were wounded or killed.
Canadian soldiers in the Battle of Amiens during the First World War in August 1918.
British troops in a captured German trench with a sign reading Old Hun Line at Serre, March 1917.
Indian troops serving the British Empire on the western Front.
German sailors pose for a photo on a U-boat before battle.
Irish soldiers in a trench at Mesopotamia.
The 50th Aero Squadron in Clermont-en-Argonne Airdrome, France in 1918.
American engineers marching though the village of Nonsard-Lamarche during the battle of St. Mihiel. September 12-19th, 1918.

40 Wonderful Black and White Photos of Ann-Margret From the 1950s and 1960s

Actress and singer Ann-Margret is one of the most famous sex symbols and actresses of the 1960s and beyond. She continued her career through the following decades and into the 21st century.

Ann-Margret was born Ann-Margret Olsson on April 28, 1941 in Valsjöbyn, Jämtland County, Sweden, to Anna Regina (Aronsson) and Carl Gustav Olsson, who worked for an electrical company. She came to America at age 6. She studied at Northwestern University and left for Las Vegas to pursue a career as a singer.

Ann-Margret was discovered by George Burns and soon afterward got both a record deal at RCA and a film contract at 20th Century Fox. In 1961, her single “I Just Don’t Understand” charted in the Top 20 of the Billboard Hot 100 Charts. Her acting debut followed the same year as Bette Davis’ daughter in Frank Capra’s Pocketful of Miracles (1961). She appeared in the musical State Fair (1962) a year later before her breakthrough in 1963. With Bye Bye Birdie (1963) and Viva Las Vegas (1964) opposite Elvis Presley, she became a Top 10 Box Office star, teen idol and even Golden Globe nominated actress. She was marketed as Hollywood’s hottest young star and in the years to come got awarded the infamous nickname “sex kitten.”

Her following pictures were sometimes ripped apart by critics. She couldn’t escape being typecast because of her great looks. By the late 1960s, her career stalled, and she turned to Italy for new projects. She returned and, by 1970, she was back in the public image with Hollywood films, Las Vegas sing-and-dance shows and her own television specials. She finally overcame her image with her Oscar-nominated turn in Mike Nichols’ Carnal Knowledge (1971) and succeeded in changing her image from sex kitten to respected actress.

A near-fatal accident at a Lake Tahoe show in 1972 only momentarily stopped her career. She was again Oscar-nominated in 1975 for Tommy (1975), the rock opera film of the British rock band The Who. Her career continued with successful films throughout the late 1970s and into the 1980s. She starred next to Anthony Hopkins in Magic (1978) and appeared in pictures co-starring Walter Matthau, Gene Hackman, Glenda Jackson and Roy Scheider. She even appeared in a television remake of Tennessee Williams’s masterpiece play “A Streetcar Named Desire” in 1983. Another late career highlight for her was Grumpy Old Men (1993) as the object of desire for Jack Lemmon and Walter Matthau. She continues to act in movies today.

32 Vintage Photos Showing American Stores During the Late 19th Century

Hat shop
Ice cream store front
Interior of a store in Nebraska
Jewelery store
Lighting store in Ohio
Manhart store interior at Plum Avenue, Sedalia, Colorado
Nyack Library storefront in NYC
Pottery store
Store front in Utah
Bon Bon’s store interior
Candy store
Store in San Francisco, CA
Clyde Meredith’s store in Seattle, Washington
Department store
Dickinson’s drug store in Brooklyn, NYC
Drug store in New York City
Drug store
Drug store
F.B. Moors shoe store in Marysville, CA
Fabric store in Battle Creek, Michigan
Fabric store in Pittsfield, Mass
Furniture store in Milledgeville, Georgia
Gas fixture store
General store in DeKalb, Illinois
General store in West Virginia
General store
General store
Getting milk inside of grocery store
Grocery store in Clovis, New Mexico
Grocery store in Oakland, CA
Hardware store
Dry goods store in DeKalb, Illinois

32 Interesting Vintage Photographs Showing the Ruins of Berlin During the Late 1940s

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The ruins of Berlin in the late 1940s stood as a stark reminder of the devastating consequences of World War II and the violent destruction that engulfed Europe. By the end of the war, Berlin was reduced to a shattered shell of its former self—a city of crumbled buildings, displaced residents, and fractured infrastructure. This devastation was not only the result of prolonged warfare but also the culmination of Berlin’s strategic significance as the capital of Nazi Germany and the Allied forces’ relentless efforts to bring an end to Adolf Hitler’s regime.

Berlin’s downfall began with its central role in Nazi Germany’s military operations and propaganda machine. As Hitler’s capital, Berlin was a hub for political decision-making, military planning, and production. Because of its importance, it became a prime target for Allied bombers during the war. The bombing campaigns intensified in 1943 as part of the Allies’ strategy to undermine German war efforts and morale. British and American air raids inflicted heavy damage on Berlin’s industrial areas, residential zones, and historic landmarks, leaving the city battered and vulnerable.

The most severe destruction of Berlin occurred during the final weeks of World War II in 1945. The city became the focal point of the Soviet Union’s advance as part of the Battle of Berlin, one of the bloodiest confrontations in the war. In April 1945, Soviet forces encircled Berlin and launched a massive assault on the city. Urban warfare raged as German troops, including remnants of the SS and Hitler Youth, fought fiercely to defend the capital. The fighting spilled into the streets, with tanks rolling over debris and artillery shells raining down on buildings. By early May, Berlin fell to the Soviets, marking the end of the war in Europe.

The aftermath of the war revealed the full extent of Berlin’s devastation. Entire districts lay in ruins, with piles of rubble stretching as far as the eye could see. Iconic structures, including the Reichstag, were reduced to shells or severely damaged. Infrastructure was in shambles—roads, bridges, and utilities were unusable. The city’s population faced dire conditions, including homelessness, food shortages, and the looming specter of disease. Many residents, especially women, worked tirelessly as Trümmerfrauen (rubble women) to clear the debris and begin the long process of reconstruction.

Berlin’s devastation in the late 1940s extended beyond physical destruction; it was a symbol of the profound moral and political collapse of Nazi Germany. The city’s ruins became the backdrop for a new chapter in history: the occupation by Allied forces and the division of Berlin into sectors controlled by the United States, the Soviet Union, the United Kingdom, and France. This division would eventually lead to the creation of East Berlin and West Berlin, further complicating the city’s recovery and setting the stage for Cold War tensions.

Despite the hardships, Berlin slowly began to rebuild. While the ruins served as a haunting reminder of war’s toll, they also became a testament to human resilience. The residents of Berlin worked diligently to restore their city, reconstructing homes and historical landmarks while forging a path toward reconciliation and peace. By the late 1940s, some areas had begun to regain a semblance of normalcy, though scars of the war would remain visible for decades.

In conclusion, the ruins of Berlin in the late 1940s tell a tale of destruction, survival, and renewal. The city’s devastation stemmed from its significance as a target in World War II and its pivotal role in the conflict’s closing chapters. The aftermath left Berlin physically and emotionally scarred, but it also sparked a determination to rebuild and redefine its identity. The ruins of Berlin remain an enduring testament to the resilience of its people and the lessons of history.

Origins of These Photographs

In 1916, photographer Arthur Bondar heard that the family of a Soviet war photographer was selling his negatives. The photographer, Valery Faminsky, had worked for the Soviet Army and kept his negatives from Ukraine and Germany meticulously archived until his death in 2011. Mr. Bondar had seen many books and several exhibits of World War II photography but had never heard of Mr. Faminsky.

He contacted the family, and when he viewed the negatives Mr. Bondar realized that he had stumbled upon an important cache of images of World War II made from the Soviet side. The price the family was asking was high — more than Mr. Bondar could afford as a freelance photographer — but he took the money he had made from a book on Chernobyl and acquired the archive.

“I looked through the negatives and realized I held in my hands a huge piece of history that was mostly unknown to ordinary people, even citizens of the former U.S.S.R.,” he told The New York Times. “We had so much propaganda from the World War II period, but here I saw an intimate look by Faminsky. He was purely interested in the people from both sides of the World War II barricades.”

Most of the best-known Soviet images from the war were used as propaganda, to glorify the victories of the Red Army. Often they were staged. Mr. Faminsky’s images are for the most part unvarnished and do not glorify war but focused on the human cost and “the real life of ordinary soldiers and people.”

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22 Amazing Vintage Autochrome Photographs From the Early 20th Century

A family at Margate beach, England, 1915
A pomegranate seller in front of Ponte Vecchio, Florence
Austria in 1925
Belgium in the 1910s
China in 1912
Egypt in 1913
Gipsy woman at Oudegracht in Utrecht, The Netherlands, 1915
Highland Castle, Scotland, ca. 1920s
Japanese women wade into water to bathe, 1928
Locals at a dilapidated cottage in Cornall, England, 1913
Long Bien bridge in Vietnam, ca. 1910s
Market in the Crimea, ca. 1909-14
Mongolia in 1913
Norway in 1910
Oeschinen Lake in Kandersteg, Switzerland, 1909
Roadside shops in Paris, ca. 1900s
Russia in the 1910s
Spinning in Galway, Ireland, 1913
St. Mark’s Cathedral, Venice, 1925
Swimmers in Silver Lake, New York, ca. 1900s
The robed women are from a village outside of Sidi Kacem, Morocco, 1909
Two women stroll the countryside in their modern dress, Dinkelsbuhl, Germany, ca. 1910s

45 Glamorous Photos of Ava Gardner in the 1940s and 1950s

Born 1922 in Grabtown, North Carolina, American actress and singer Ava Gardner was signed to a contract with Metro-Goldwyn-Mayer in 1941, and appeared mainly in small roles until she drew attention with her performance in The Killers (1946).

Gardner appeared in several high-profile films from the 1940s to 1970s, including The Hucksters (1947), Show Boat (1951), Pandora and the Flying Dutchman (1951), The Snows of Kilimanjaro (1952), The Barefoot Contessa (1954), Bhowani Junction (1956), On the Beach (1959), 55 Days at Peking (1963), Seven Days in May (1964), The Night of the Iguana (1964), The Bible: In the Beginning… (1966), The Life and Times of Judge Roy Bean (1972), Earthquake (1974), and The Cassandra Crossing (1976).

Gardner was nominated for the Academy Award for Best Actress for her work in Mogambo (1953), and also received BAFTA Award and Golden Globe Award nominations for other films. She continued to act regularly until 1986, four years before her death in London in 1990, at the age of 67.

Ava Gardner is listed 25th among the American Film Institute’s 25 Greatest Female Stars of Classic Hollywood Cinema.

Take a look at these stunning photos to see glamorous beauty of Ava Gardner in the 1940s and 1950s.

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